Middlesex - Jeffrey Eugenides [151]
And next another car picking me up, the following September, for my first day of seventh grade. Previously, I’d always walked to Trombley Elementary; but prep school has brought with it a host of changes: my new school uniform, for instance, crested and tartaned. Also: this carpool itself, a light green station wagon driven by a lady named Mrs. Drexel. Her hair is greasy, thinning. Above her upper lip, in an example of the foreshadowing I will learn to identify in the coming year’s English class, is a mustache.
And now the station wagon is driving along a few weeks later. I’m looking out the window while Mrs. Drexel’s cigarette uncoils a rope of smoke. We head into the heart of Grosse Pointe. We pass long, gated driveways, the kind that always fill my family with wonder and awe. But now Mrs. Drexel is turning up these drives. (It is my new classmates who live at the end of them.) We rumble past privet hedges and under topiary arches to arrive at secluded lakefront homes where girls wait with satchels, standing very straight. They wear the same uniform I do, but somehow it looks different on them, neater, more stylish. Occasionally there is also a well-coifed mother in the picture, clipping a rose from the garden.
And next it is two months later, near the end of the fall term, and the station wagon is climbing the hill to my no-longer-brand-new school. The car is full of girls. Mrs. Drexel is lighting another cigarette. She’s pulling up to the curb and getting ready to lay a curse on us. Shaking her head at the view—of the hilly, green campus, the lake in the distance—she says, “Youse girls better enjoy it now. Best time of life is when you’re young.” (At twelve, I hated her for saying that. I couldn’t imagine a worse thing to tell a kid. But maybe also, due to certain other changes that began that year, I suspected that the happy period of my childhood was coming to an end.)
What else came back to me, as the hockey ball zeroed in? Just about everything a field hockey ball could symbolize. Field hockey, that New England game, handed down from old England, just like everything else in our school. The building with its long echoing hallways and churchy smell, its leaded windows, its Gothic gloom. The Latin primers the color of gruel. The afternoon teas. The curtsying of our tennis team. The tweediness of our faculty, and the curriculum itself, which began, Hellenically, Byronically, with Homer, and then skipped straight to Chaucer, moving on to Shakespeare, Donne, Swift, Wordsworth, Dickens, Tennyson, and E. M. Forster. Only connect.
Miss Baker and Miss Inglis had founded the school back in 1911, in the words of the charter, “to educate girls in the humanities and sciences and to cultivate in them a love of learning, a modest comportment, an amiable grace, and an interest in civic duty above all.” The two women had lived together on the far side of the campus in “The Cottage,” a shingled bower that occupied a place in school mythology akin to Lincoln’s log cabin in national legend. Fifth graders were given a tour every spring. They filed by the two single bedrooms (which fooled them maybe), the founders’ writing desks still laid with fountain pens and licorice drops, and the gramophone on which they’d listened to Sousa marches. Miss Baker’s and Miss Inglis’s ghosts haunted the school, along with actual busts and portraits. A statue in the courtyard showed the bespectacled educators in a fanciful, springtime mood, Miss Baker gesturing, Pope-like, to bless the air, while Miss Inglis (forever the bottom) turned to see what her colleague was bringing to her attention. Miss Inglis’s floppy hat obscured her plain features. In the work’s only avant-garde touch, a thick wire extended from Miss Baker’s head, at the top of which hovered the object of wonder: a hummingbird.