Middlesex - Jeffrey Eugenides [69]
The arrival of another baby made the house on Hurlbut feel crowded. Sourmelina decided to move out. She found a job in a florist’s shop, leaving Lefty and Desdemona to assume the mortgage on the house. In the fall of that same year, Sourmelina and Theodora took up residence nearby in the O’Toole Boardinghouse, right behind Hurlbut on Cadillac Boulevard. The backs of the two houses faced each other and Lina and Theodora were still close enough to visit nearly every day.
On Thursday, October 24, 1929, on Wall Street in New York City, men in finely tailored suits began jumping from the windows of the city’s famous skyscrapers. Their lemming-like despair seemed far away from Hurlbut Street, but little by little the dark cloud passed over the nation, moving in the opposite direction to the weather, until it reached the Midwest. The Depression made itself known to Lefty by a growing number of empty barstools. After nearly six years of operating at full capacity, there began to be slow periods, nights when the place was only two-thirds full, or just half. Nothing deterred the stoic alcoholics from their calling. Despite the international banking conspiracy (unmasked by Father Coughlin on the radio), these stalwarts presented themselves for duty whenever St. George galloped in the window. But the social drinkers and family men stopped showing up. By March of 1930, only half as many patrons gave the secret dactylic-spondaic knock on the basement door. Business picked up during the summer. “Don’t worry,” Lefty told Desdemona. “President Herbert Hoover is taking care of things. The worst is over.” They skated along through the next year and a half, but by 1932 only a few customers were coming in each day. Lefty extended credit, discounted drinks, but it was no use. Soon he couldn’t pay for shipments of liquor. One day two men came in and repossessed the slot machine.
“It was terrible. Terrible!” Desdemona still cried fifty years later, describing those years. Throughout my childhood the slightest mention of the Depression would set my yia yia off into a full cycle of wailing and breast-clutching. (Even once when the subject was “manic depression.”) She would go limp in her chair, squeezing her face in both hands like the figure in Munch’s The Scream—and then would do so: “Mana! The Depression! So terrible you no can believe! Everybody they no have work. I remember the marches for the hunger, all the people they are marching in the street, a million people, one after one, one after one, to go to tell Mr. Henry Ford to open the factory. Then we have in the alley one night a noise was terrible. The people they are killing rats, plam plam plam, with sticks, to go to eat the rats. Oh my God! And Lefty he was no working in the factory then. He only having, you know, the speakeasy, where the people they use to come to drink. But in the Depression was in the middle another bad time, economy very bad, and nobody they have money to drink. They no can eat, how they can drink? So soon papou and yia yia we no have money. And then”—hand to heart—“then they make me go to work for those mavros. Black people! Oh my God!”
It happened like this. One night, my grandfather got into bed with my grandmother to find that she wasn’t alone. Milton, eight years old now, was snuggled up against her side. On her other side was Zoë, who was only four. Lefty, exhausted from work, looked down at the spectacle of this menagerie. He loved the sight of his sleeping children. Despite the problems of his marriage, he could never blame his son or daughter for them. At the same time, he rarely saw them. In order to make enough money he had to keep the speakeasy open sixteen, sometimes eighteen, hours a day. He worked seven days a week. To support his family he had to be exiled from them. In the