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Midnight's Children - Salman Rushdie [104]

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vigor, so that she began to hobble, her gliding days done for ever; and she recognized the unmistakable greeting of old age. (Chock-full of fantasy, I transformed her into a silkie—“Amma, maybe you’re a mermaid really, taking human form for the love of a man—so every step is like walking on razor blades!” My mother smiled, but did not laugh.)

1956. Ahmed Sinai and Doctor Narlikar played chess and argued—my father was a bitter opponent of Nasser, while Narlikar admired him openly. “The man is bad for business,” Ahmed said: “But he’s got style,” Narlikar responded, glowing passionately, “Nobody pushes him around.” At the same time, Jawaharlal Nehru was consulting astrologers about the country’s Five Year Plan, in order to avoid another Karamstan; and while the world combined aggression and the occult, I lay concealed in a washing-chest which wasn’t really big enough for comfort any more; and Amina Sinai became filled with guilt.

She was already trying to put out of her mind her adventure at the racetrack; but the sense of sin which her mother’s cooking had given her could not be escaped; so it was not difficult for her to think of the verrucas as a punishment … not only for the years-ago escapade at Mahalaxmi, but for failing to save her husband from the pink chitties of alcoholism; for the Brass Monkey’s untamed, unfeminine ways; and for the size of her only son’s nose. Looking back at her now, it seems to me that a fog of guilt had begun to form around her head—her black skin exuding black clouds which hung before her eyes. (Padma would believe it; Padma would know what I mean!) And as her guilt grew, the fog thickened—yes, why not?—there were days when you could hardly see her head above her neck! … Amina had become one of those rare people who take the burdens of the world upon their own backs; she began to exude the magnetism of the willingly guilty; and from then on everyone who came into contact with her felt the most powerful of urges to confess their own, private guilts. When they succumbed to my mother’s powers, she would smile at them with a sweet sad foggy smile and they would go away, lightened, leaving their burdens on her shoulders; and the fog of guilt thickened. Amina heard about servants being beaten and officials being bribed; when my uncle Hanif and his wife the divine Pia came to call they related their quarrels in minute detail; Lila Sabarmati confided her infidelities to my mother’s graceful, inclined, long-suffering ear; and Mary Pereira had to fight constantly against the almost-irresistible temptation to confess her crime.

Faced with the guilts of the world, my mother smiled foggily and shut her eyes tight; and by the time the roof fell in on her head her eyesight was badly impaired; but she could still see the washing-chest.

What was really at the bottom of my mother’s guilt? I mean really, beneath verrucas and djinns and confessions? It was an unspeakable malaise, an affliction which could not even be named, and which no longer confined itself to dreams of an underworld husband … my mother had fallen (as my father would soon fall) under the spell of the telephone.

* * *

In the afternoons of that summer, afternoons as hot as towels, the telephone would ring. When Ahmed Sinai was asleep in his room, with his keys under his pillow and umbilical cords in his almirah, telephonic shrilling penetrated the buzzing of the heat insects; and my mother, verruca-hobbled, came into the hall to answer. And now, what expression is this, staining her face the color of drying blood? … Not knowing that she’s being observed, what fish-like flutterings of lips are these, what strangulated mouthings? … And why, after listening for a full five minutes, does my mother say, in a voice like broken glass, “Sorry: wrong number”? Why are diamonds glistening on her eyelids? … The Brass Monkey whispered to me, “Next time it rings, let’s find out.”

Five days later. Once more it is afternoon; but today Amina is away, visiting Nussie-the-duck, when the telephone demands attention. “Quick! Quick or it’ll wake him!” The Monkey,

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