It was in one of the small, swank apartment houses on Franklin Avenue, in Hollywood. Every fibre of her being had wanted to pay a visit there, to take back what she had said, to reestablish things as they had been, or try to. But when this thought entered her mind, or rather shot through her heart like a hot arrow, she set her face as if it had been cast in metal, and not once did she even drive past Veda's door. And yet, even in her loneliness, her relation with Veda was developing, twisting her painfully, like some sort of cancer. She discovered rye, and in the boozy dreams of her daily rest, she pictured Veda as going from bad to worse, as hungering and mending threadbare finery, until she had to come back, penitent and tearful, for forgiveness. This view of the future was somewhat obscured by the circumstance that Mildred didn't know exactly how much Veda had obtained from the Lenhardts, and thus couldn't calculate, with any degree of accuracy, when destitution was likely to strike'. But Bert contributed a thought that assisted drama, if not truth. Bert, having tried unsuccessfully to stand on his rights as a father to bluff information out of Wally, and having threatened even to "hold up the settlement" unless full data were furnished, had learned only that his consent was not needed for a settlement; all the Lenhardts wanted was a release from Veda, a signed letter denying promises, intimidation, or pregnancy. But the episode had left him with a lower opinion of Wally's honesty than he had had before, if that were possible, and he hatched the theory that "Wally would have every damned cent of it before the year was out, didn't make a bit of difference what they paid, or what he got, or what she got." On this theory Mildred eagerly seized, and pictured the cheated Veda, not only as cold, hungry, and in rags, but as horribly bruised in Spirit, creeping to the strong, silent mother who could cope with Wally or anybody else. When the scene materialized almost daily before her eyes, with a hundred little variations and embellishments, she always experienced the same brief ecstasy as she lifted the weeping Veda into her arms, patted her, inhaled the fragrance of the soft, coppery hair, and bestowed love, understanding, and forgiveness. One slight incongruity she overlooked: Veda in real life, rarely wept.
At Bert's mention of a broadcast it took her a moment or two to collect her wits. "What broadcast?"
"Why, Veda."
"You mean she's playing on the air?"
"Singing, the way I get it."
"Veda? Singing?"
"Maybe I better come over."
By the time he got there, she was a-tremble with excitement. She found the radio page of the Times, and there, sure enough, was Veda's picture, with the news that "the popular singer will be heard tonight at 8:30, on the Hank Somerville (Snack-O-Ham) program." Bert had seen the Examiner, but hadn't seen the Times, and together they looked at the picture, and commented on how lovely Veda looked. When Mildred wanted to know how long this had been going on, meaning the singing, Bert said quickly you couldn't prove it by him, as though to disclaim participation in secrets that had been withheld from Mildred. Then he added that the way he got it, Veda had been on the air quite a lot already, on the little afternoon programs that nobody paid any attention to, and that was how she'd got this chance on a big national hook-up. Mildred got the rye she had been sipping, poured two more drinks, and Bert revealed that his invitation had really been Mrs. Biederhof's idea. "She figured it meant a lot more to you than it would to her, so that's how I came to call you up."
"It was certainly nice of her."
"She's a real friend."
"You mean we'll go to the studio?"
"That's it. It's going out from the NBC studio right here in Hollywood, and we'll be able to see it and hear it."
"Don't we have to have tickets?"
". . . I got a couple."
"How?"
"It's taken care of."
"From Veda?"
"Never mind. I got 'em."
At the look on Mildred's face, Bert quickly crossed over, took her hand. "Now what's the use of acting like