Mildred Pierce - James M. Cain [59]
I am the resurrection and the life, saith the Lord; he that believeth in me, though he were dead, yet shall he live; and whosoever liveth and believeth in me, shall never die.
It wasn't the words, it was the voice, that crumpled Mildred as though something had struck her. Sitting there in the bedroom with Bert and Veda, the door open so they could hear, she had expected something different, something warm, something soothing, particularly after Dr. Aldous's remarks of last night. And then this fiat, far-away whine, with a dreadful note of cold finality in it, began intoning the service. Not naturally religious, she bowed her head as if from some ancient instinct, began shuddering from the oppression that closed over her. Then Veda said something. Somewhere she had dug up a prayer book, and it was a mement before Mildred realized she was reading responses: "For they shall see God. . . . Henceforth, world without end. And let our cry come unto thee . . ." To the critical ear, Veda's enunciation might have seemed a bit too loud, a shade too clear, as though intended for the company in the living room, rather than God. But to Mildred, it was the purest of childish trebles, and once more the heat lightnings began to flicker within her, and once more she fought them down. After a long time, when she thought she would scream if she didn't get some relief from her woe, the far-away voice stopped, and Mr. Murock appeared at the door. She wondered if she could walk to the curb. But Bert took her arm and Veda her hand, and she went slowly through the living room. Quite a few people were there, half-remembered faces from her youth, grotesquely marked by time.
Jesus saith to his disciples, Ye now therefore have sorrow.
It was the same cold, far-away voice, and looking across the open grave, with the casket over it, Mildred saw it indeed came from Dr. Aldous, though he looked old and frail in his white robes. In a moment, however, he dropped his voice, adopted a softer more sympathetic tone, and as she caught the familiar words, "The Lord is my shepherd; I shall not want," Mildred knew that the moment had come for the special prayers made necessary by Mom's stipulations, and for intimate solace. They murmured on, and her lips began to twitch as she realized they were mainly for her benefit, to ease her pain. They only made her feel worse. Then, after an interminable time, she heard: "O God, whose mercies cannot be numbered; Accept our prayers on behalf of the soul of Moire, thy servant departed, and grant her an entrance into the land of light and joy, in the fellowship of the saints, through Jesus Christ our Lord, Amen."
And as the child sank down, on Mr. Murock's patent pulleys, Mildred realized, with bitter shame, that now for the first time, in death, it heard itself correctly addressed, that it had lived its brief life without even knowing its name.
The worst came that evening, when she was left alone, with nobody to console, nobody to be brave in front of, nobody to face but herself. The Pierces left in the afternoon, taking Bert with them, and the Engels shortly after, taking her mother, so as to reach San Diego before dark. Then, after an early supper, she had Letty take Veda to a moving picture show. Then she found herself in a house from which all flowers, all chairs, all wire racks had been removed, which was exactly as it had been before. Desolation swept over her. She tramped around, then changed into her smock and began making pies. Around eleven she drove to the theatre, took Letty home, and held tight to Veda's hand on the way back to the house. Veda had a glass of milk, and talked gaily about the picture. It was called The Yellow Ticket, and Mildred winced at the circumstantial account of how Miss Elissa Landi had pulled out the gun and shot Mr. Lionel Barrymore in the stomach. When Veda went to bed, Mildred helped her undress, and couldn't