Mindset _ The New Psychology of Success - Carol S. Dweck [32]
A few years later, lying about his age, my host joined the Royal Air Force and fought for Britain in the war. When he was wounded, he married his nurse, went to medical school, and established a thriving practice in America.
Over the years, he developed a great interest in owls. He thought of them as embodying characteristics he admired, and he liked to think of himself as owlish. Besides the many owl statuettes that adorned his house, he had an owl-related guest book. It turned out that whenever he took a shine to someone, he asked them to draw an owl and write something to him in this book. As he extended this book to me and explained its significance, I felt both honored and horrified. Mostly horrified. All the more because my creation was not to be buried somewhere in the middle of the book, but was to adorn its very last page.
I won’t dwell on the intensity of my discomfort or the poor quality of my artwork, although both were painfully clear. I tell this story as a prelude to the astonishment and joy I felt when I read Drawing on the Right Side of the Brain. On the opposite page are the before-and-after self-portraits of people who took a short course in drawing from the author, Betty Edwards. That is, they are the self-portraits drawn by the students when they entered her course and five days later when they had completed it.
Aren’t they amazing? At the beginning, these people didn’t look as though they had much artistic ability. Most of their pictures reminded me of my owl. But only a few days later, everybody could really draw! And Edwards swears that this is a typical group. It seems impossible.
Edwards agrees that most people view drawing as a magical ability that only a select few possess, and that only a select few will ever possess. But this is because people don’t understand the components—the learnable components—of drawing. Actually, she informs us, they are not drawing skills at all, but seeing skills. They are the ability to perceive edges, spaces, relationships, lights and shadows, and the whole. Drawing requires us to learn each component skill and then combine them into one process. Some people simply pick up these skills in the natural course of their lives, whereas others have to work to learn them and put them together. But as we can see from the “after” self-portraits, everyone can do it.
Here’s what this means: Just because some people can do something with little or no training, it doesn’t mean that others can’t do it (and sometimes do it even better) with training. This is so important, because many, many people with the fixed mindset think that someone’s early performance tells you all you need to know about their talent and their future.
Jackson Pollock
It would have been a real shame if people discouraged Jackson Pollock for that reason. Experts agree that Pollock had little native talent for art, and when you look at his early products, it showed. They also agree that he became one of the greatest American painters of the twentieth century and that he revolutionized modern art. How did he go from point A to point B?
Twyla Tharp, the world-famous choreographer and dancer, wrote a book called The Creative Habit. As you can guess from the title, she argues that creativity is not a magical act of inspiration. It’s the result of hard work and dedication. Even for Mozart. Remember the movie Amadeus? Remember how it showed Mozart easily churning out one masterpiece after another while Salieri, his rival, is dying of envy? Well, Tharp worked on that movie and she says: Hogwash! Nonsense! “There are no ‘natural’ geniuses.”
Dedication is how Jackson Pollock got from point A to point B. Pollock was wildly in love with the idea of being