Miracles - C. S. Lewis [90]
In this model the black line represents a creature with free will, the red lines represent material events, and I represent God. The model would of course be more accurate if I were making the paper as well as the pattern and if there were hundreds of millions of black lines instead of one—but for the sake of simplicity we must keep it as it is. 1
It will be seen that if the black line addressed prayers to me I might (if I chose) grant them. It prays that when it reaches point N it may find the red lines arranged around it in a certain shape. That shape may by the laws of design require to be balanced by other arrangements of red lines on quite different parts of the paper—some at the top or bottom so far away from the black line that it knows nothing about them: some so far to the left that they come before the beginning of the black line, some so far to the right that they come after its end. (The black line would call these parts of the paper, ‘The time before I was born,’ and, ‘The time after I’m dead.’) But these other parts of the pattern demanded by that red shape which Black Line wants at N, do not prevent my granting its prayer. For his whole course has been visible to me from the moment I looked at the paper and his requirements at point N are among the things I took into account in deciding the total pattern.
Most of our prayers if fully analysed, ask either for a miracle or for events whose foundation will have to have been laid before I was born, indeed, laid when the universe began. But then to God (though not to me) I and the prayer I make in 1945 were just as much present at the creation of the world as they are now and will be a million years hence. God’s creative act is timeless and timelessly adapted to the ‘free’ elements within it: but this timeless adaptation meets our consciousness as a sequence and prayer and answer.
Two corollaries follow:
1. People often ask whether a given event (not a miracle) was really an answer to prayer or not. I think that if they analyse their thought they will find they are asking, ‘Did God bring it about for a special purpose or would it have happened anyway as part of the natural course of events?’ But this (like the old question, ‘Have you left off beating your wife?’) makes either answer impossible. In the play, Hamlet, Ophelia climbs out on a branch overhanging a river: the branch breaks, she falls in and drowns. What would you reply if anyone asked, ‘Did Ophelia die because Shakespeare for poetic reasons wanted her to die at that moment—or because the branch broke?’ I think one would have to say, ‘For both reasons.’ Every event in the play happens as a result of other events in the play, but also every event happens because the poet wants it to happen. All events in the play are Shakespearian events; similarly all events in the real world are providential events. All events in the play, however, come about (or ought to come about) by the dramatic logic of events. Similarly all events in the real world (except miracles) come about by natural causes. ‘Providence’ and Natural causation are not alternatives; both determine every event because both are one.
2. When we are praying about the result, say, of a battle or a medical consultation