Mists of Avalon - Marion Zimmer Bradley [125]
She glanced up. Kevin was motionless, only his fingers alive on the strings; then the sighing madness of the music shivered into silence, he raised his head, and his fingers swept the strings, plucking them gaily to a merry tune, one sung by the barley sowers in the fields, with a dancing rhythm, and words that were far from decorous. This time he sang. His voice was strong and clear, and Morgaine, under cover of the dancing music, sat up and began to watch his hands, pushing her veil aside and contriving to wipe away the betraying tears as she did so.
Then she noticed that for all their skill, there was something strangely amiss with his hands. They seemed somehow misshapen, and studying them, she noted that one or two of the fingers lacked a second joint, so that he played deftly with the stubs, and that the little finger was missing entirely from his left hand; and all along the hands, beautiful and supple as they seemed when he moved them, were odd discolorations. As he set down the harp, leaning to steady it, his sleeve fell away from his wrist, and she could see hideous white patches there, like the scars of burns or some ghastly mutilating wounds. Now that she looked on him closely, she could see that his face had a fine network of scars along chin and jawline. He saw her staring and raised his head, meeting her eyes again and holding them with a hard, angry stare. Morgaine looked away, flushing; after the music which had searched her very soul, she would not have wounded his feelings.
“Well,” Kevin said abruptly, “My lady and I are always glad to sing to those who love her voice, but I do not suppose you called me here entirely to entertain you, madam; nor you, my lord Merlin.”
“Not entirely,” said Viviane in her rich, low voice, “but you have given us a delight I shall remember for many years.”
“And I,” Morgaine said. She felt as shy now before him as she had been bold before. Nevertheless she went forward, to look more closely at the great harp, and said, “I have never seen one made after this fashion.”
“That I can well believe,” Kevin said, “for I had it made after my own design. The harper who taught me my craft threw up his hands in horror as if I had blasphemed his Gods, and swore it would make an unholy clamor, fit only to frighten away enemies. Like the great war harps, twice as tall as a man, that were dragged on carts up the hills in Gaul, and left there in the wind to make ghostly noises, so that they say even the legions of Rome were frightened. Well, I played one of those war harps, and a grateful king gave me leave to have a harp made exactly as I chose—”
Taliesin broke in. “He speaks the truth,” he said to Viviane, “though I did not believe it when I heard it first—what man and mortal could play one of those monsters?”
“I did it,” Kevin said, “and so the king had my lady made for me. I have a smaller one to the same design, but not so fine.”
“Indeed it is beautiful,” Morgaine said. “What are the pegs? Are they seal bone?”
He shook his head. “They are carved, so I am told, from the teeth of a great beast that lives in the warm countries far to the south,” he said. “I only know that the material is fine and smooth, yet hard and durable. It is more costly than gold, though less gaudy.”
“You do not hold it as I have ever seen a harp played—”
“No,” Kevin said with his twisted smile, “I have but small strength in my arms, and I had to experiment to find how I could best do so. I saw you look at my hands. When I was six years old, the house where I lived was burned over my head by the Saxons, and I was pulled out too late. No one thought I would live, but I surprised them all, and since I could neither walk nor fight, they set me in a corner and decided that with my broken hands"—he spread them out quite dispassionately before him—"perhaps I could learn to spin and weave among