Mohammed Ali and His House [146]
Conduct him to me.--Come nearer, ye slaves, and seat yourselves behind that clump of rose-bushes. You can sing and play while I am receiving my visitor, for Osman Bey loves music. Do me honor, my slaves, and sing the love-songs of Djumeil and his Lubna."
Bardissi cannot see these musicians as he advances toward the kiosk, conducted by the slave; he only hears and rejoices in their song.
Sitta Nefysseh has risen from her cushions, but she has not covered her face with the veil which, fastened to her hair with golden clasps, falls back over her shoulders. The widow, and above all the widow of the bey, is allowed to remain unveiled in the presence of a friend. The great prophet never commanded that the wives of Moslems should appear veiled in their own houses; the jealousy of their husbands had gradually imposed this burden upon them. Conscious of her own worth and dignity, Sitta Nefysseh feels herself free to disregard such requirement. She turns her lovely countenance with a gentle smile toward the advancing bey, and Bardissi feels the glance of her large eyes, though he does not see them. He feels it, and moves not, a slight tremor possessing itself of his entire being.
What! Bardissi trembles!--the hero, who amid the din of battle joyously confronts the death-dealing cannon, who never trembles, though face to face with a whole forest of spears--Bardissi trembles and turns pale!
Sitta Nefysseh sees it, and her smile brightens. "Why do you hesitate to approach, Osman? and what have you to say to me, friend of my husband, Mourad Bey?"
She wishes to remind him that he had been Mourad's friend. He well understands her meaning, and, stepping quickly forward, falls on his knee before her, and reverently kisses the hem of her dress.
"I paused, O Sitta, Rose of Cairo--I paused because I heard the song of the slaves--they are singing my favorite song."
"The song is known to you?" said Sitta Nefysseh.
"It is. Do you know, Sitta, when I first heard this song?"
"I do not," replied she, shaking her head gently.
"May I tell you?"
"Do so; seat yourself on the marble stool standing at the entrance of the kiosk, and tell me."
She falls back upon her cushion with the easy grace of a swan. But Bardissi does not take the seat so graciously assigned him. He steps forward and remains standing in front of Sitta Nefysseh, gazing down upon her with reverence and delight, as though his glances were a consecrated gold-inworked veil in which he wishes to envelop her lovely form, and draw her to his heart.
"Well, Osman Bey, when did you first hear this song?"
He remains silent for a moment; the bees are humming in the air, the fountains flashing, and from the distance the words of the song the slaves are singing are wafted over by the gentle breeze:
"Thee alone on earth have I loved. My longing heart is drawn to thee. And, though this earth were heaven, and it contained my Lubna not, I'd wander rather through the gates of hell if I but knew my Lubna there!"
"If I but knew my Lubna there!" repeated Osman Bey, in low, tremulous tones.--"You wish to know when I first heard this song? I will tell you. It was on the evening of a bloody day of battle; I had ridden at the side of our great chieftain, Mourad Bey. He called me his friend, his--"
"His favorite," said Sitta Nefysseh, interrupting him. "He said he loved you like a brother, and would confide to you without fear or hesitation all he loved best--his wife, his child--knowing that they would be guarded and held sacred as though they were in the holiest niche of the mosque. Yes, my noble husband loved you. And now, speak on. You had gone out to battle."
"Yes, it was a bloody day. The angel of death hovered over us, and the swords of the enemy swept heavily upon our ranks. A sabre-stroke dealt by Bashi Seref fell upon the sword-arm of my noble friend, striking him down and disabling him. The Turk was preparing to deal a second blow, when I struck him to the earth with my ataghan. I then bore my friend from the conflict to his tent, and there you were,
Bardissi cannot see these musicians as he advances toward the kiosk, conducted by the slave; he only hears and rejoices in their song.
Sitta Nefysseh has risen from her cushions, but she has not covered her face with the veil which, fastened to her hair with golden clasps, falls back over her shoulders. The widow, and above all the widow of the bey, is allowed to remain unveiled in the presence of a friend. The great prophet never commanded that the wives of Moslems should appear veiled in their own houses; the jealousy of their husbands had gradually imposed this burden upon them. Conscious of her own worth and dignity, Sitta Nefysseh feels herself free to disregard such requirement. She turns her lovely countenance with a gentle smile toward the advancing bey, and Bardissi feels the glance of her large eyes, though he does not see them. He feels it, and moves not, a slight tremor possessing itself of his entire being.
What! Bardissi trembles!--the hero, who amid the din of battle joyously confronts the death-dealing cannon, who never trembles, though face to face with a whole forest of spears--Bardissi trembles and turns pale!
Sitta Nefysseh sees it, and her smile brightens. "Why do you hesitate to approach, Osman? and what have you to say to me, friend of my husband, Mourad Bey?"
She wishes to remind him that he had been Mourad's friend. He well understands her meaning, and, stepping quickly forward, falls on his knee before her, and reverently kisses the hem of her dress.
"I paused, O Sitta, Rose of Cairo--I paused because I heard the song of the slaves--they are singing my favorite song."
"The song is known to you?" said Sitta Nefysseh.
"It is. Do you know, Sitta, when I first heard this song?"
"I do not," replied she, shaking her head gently.
"May I tell you?"
"Do so; seat yourself on the marble stool standing at the entrance of the kiosk, and tell me."
She falls back upon her cushion with the easy grace of a swan. But Bardissi does not take the seat so graciously assigned him. He steps forward and remains standing in front of Sitta Nefysseh, gazing down upon her with reverence and delight, as though his glances were a consecrated gold-inworked veil in which he wishes to envelop her lovely form, and draw her to his heart.
"Well, Osman Bey, when did you first hear this song?"
He remains silent for a moment; the bees are humming in the air, the fountains flashing, and from the distance the words of the song the slaves are singing are wafted over by the gentle breeze:
"Thee alone on earth have I loved. My longing heart is drawn to thee. And, though this earth were heaven, and it contained my Lubna not, I'd wander rather through the gates of hell if I but knew my Lubna there!"
"If I but knew my Lubna there!" repeated Osman Bey, in low, tremulous tones.--"You wish to know when I first heard this song? I will tell you. It was on the evening of a bloody day of battle; I had ridden at the side of our great chieftain, Mourad Bey. He called me his friend, his--"
"His favorite," said Sitta Nefysseh, interrupting him. "He said he loved you like a brother, and would confide to you without fear or hesitation all he loved best--his wife, his child--knowing that they would be guarded and held sacred as though they were in the holiest niche of the mosque. Yes, my noble husband loved you. And now, speak on. You had gone out to battle."
"Yes, it was a bloody day. The angel of death hovered over us, and the swords of the enemy swept heavily upon our ranks. A sabre-stroke dealt by Bashi Seref fell upon the sword-arm of my noble friend, striking him down and disabling him. The Turk was preparing to deal a second blow, when I struck him to the earth with my ataghan. I then bore my friend from the conflict to his tent, and there you were,