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Mohammed Ali and His House [65]

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eyes and the crimson of your lips, and refresh my soul in the light of your countenance. Yes, die I must, and die I will, when I shall have seen the brightness of your eyes!"

"Look at me," said she, softly, "and hear what I have to say; I will not have you die! There must be some other means of saving my father. But you shall not die, for you--"

She spoke no further, but gazed dreamily upward at the heavens.

The sun had risen higher, and now gilded with its rays the crest of the rock. Its golden light illumined the maiden's unveiled countenance, and Mohammed regarded her in ecstasy. Beautiful was she, and faultless; the eternal morning of youth shone in the features that were still more gloriously illumined by the lustre of first love. She seemed to Mohammed the very embodiment of loveliness, chastity, and innocence. In his ecstasy he could find no utterance for that which filled his heart. His whole being, his whole soul, was reflected in his eyes. He lost all control over himself in the presence of this maiden this heavenly image.

"Love is my prayer, and prayer is my love. Look at me ye starlike eyes, and read in my soul what is written there in characters of living flame. 'I love you. I love you!' It is thus my heart speaks to you, and thus will it speak with my last breath. What I now feel is love and death combined heavenly bliss commingling with boundless suffering; I would weep, and yet shout for joy."

Suddenly, Mohammed bounded to his feet, clasped the maiden in his arms, and imprinted a kiss on her lips, a kiss that made her tremble in her inmost being. For a moment, she allowed her head to rest on his shoulder; she then gently released herself from his embrace, drew her veil down over her face, and turned to go.

"Oh, hear me, Masa, and do not be angry!" he cried, entreatingly. "Allah has seen us, and now hears my vow of fidelity. You say I shall live. Then say, too, that I may live for you! I swear to you that I have loved no woman but you, that no other woman shall ever dwell in my harem. Oh, speak, will you be mine, will you love me, and be true to me?"

He paused, and awaited an answer, he waited long, but no answer came. It seemed to him that, with him, all Nature was awaiting an answer. The foliage of the trees ceased rustling, the songs of the birds were hushed, the eagle folded his pinions in the nest to which he had just returned, and gazed fixedly at the sun. The waves subdued their murmurings, and even the wind held its breath; all Nature was mute, and yet no answer came from the maiden's pure lips.

"O Masa, will you be true to me, will you love me, will you one day come with me to my home?" urged the youth in tones of passionate entreaty.

Her lips parted, and, in low, soft tones, like spirit-whisperings, she murmured, "Yes, I love you, and will be true to you."

He hears her, and bows down, and kisses the hem of her veil.

Sacred is the woman of a man's first love; sacred is the moment when he avows to her his love; sacred is the moment when he dares, for the first time, to approach and touch her.

But suddenly an emotion of horror thrills his whole being.

"O Masa, in my ecstasy, I forgot that I have come here to die, because I cannot live unless my honor is vindicated."

"To die?" said the maiden, with a gentle smile. "Why die now, when we have only just begun to live?"

"I must die that your father may live. I have already told you, Masa, that I have sworn by my honor, that the men of Praousta shall pay the double tax, as they are in duty bound to do. I have pledged my honor, that is, my life. Your father will not pay, and I have sworn by Allah and the prophets that the heads of the four prisoners shall fall if the double tax is not paid. You see now that I must die, that my honor may not suffer. When I am dead you can all settle the matter as you think best; the governor may then show mercy, and relieve them of the tax. But I cannot. And yet I cannot allow Masa's father to die, for Masa would weep for him, and her every tear would accuse me."

"You shall not
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