Moneyball - Michael Lewis [46]
Seven years into his literary career, in the 1984 Baseball Abstract, James formally gave up any hope that baseball insiders would be reasonable. “When I started writing I thought if I proved X was a stupid thing to do that people would stop doing X,” he said. “I was wrong.” He began his opening essay of 1984, ominously, by pointing out the boom in sports journalism that promised to take you “inside the game.” The media had become hell-bent on giving the superficial impression of allowing the fan a glimpse of the heart of every matter. Just to glance at the titles on TV shows and magazine articles you might think that there was nothing left inside to uncover.
It was all a lie. “What has really happened,” James wrote, “is that the walls between the public and the participants of sports are growing higher and higher and thicker and darker, and the media is developing a sense of desperation about the whole thing.” What was true about baseball was true about other spheres of American public life and, to James, the only sensible approach was to drop the pretense and embrace one’s status as an outsider. “This is outside baseball,” he wrote. “This is a book about what baseball looks like if you step back from it and study it intensely and minutely, but from a distance.” It wasn’t that it was better to be an outsider; it was necessary. “Since we are outsiders,” he wrote, “since the players are going to put up walls to keep us out here, let us use our position as outsiders to what advantage we can.”
From here until James quit writing his Abstract four years later he might as well have declared open season on insiders. He became somewhat slower to concede baseball professionals might have a point. One sentence serves as a fair summary of James’s attitude toward the inside: “I think, really, that this is one reason that so many intelligent people drift away from baseball (when they come of age), that if you care about it at all you have to realize, as soon as you acquire a taste for independent thought, that a great portion of the sport’s traditional knowledge is ridiculous hokum.”
As baseball’s leading analyst, James slid between two stools. Baseball insiders thought of him as some weird kind of journalist who had no real business with them. Baseball outsiders thought of him as a statistician who knew technical things about baseball. A number cruncher. A propeller head. Even after he had become known for his books—even after he changed the way many readers thought not only about baseball but about other things too—James never got himself thought of as a “writer.”* That was a pity. A number cruncher is precisely what James was not. His work tested many hypotheses about baseball directly against hard data—and sometimes did violence to the laws of statistics. But it also tested, less intentionally, a hypothesis about literature: if you write well enough about a single subject, even a subject