Morgan's Passing - Anne Tyler [104]
A week went by, and then two weeks. “What’s the matter with Emily?” Bonny asked. “Have you seen her? She never comes around any more.”
Morgan thought of answering her. Just simply answering her. “Well,” Bonny might say, “these things happen, I suppose.” Or maybe, airily, “Oh, yes, I guessed as much.” (She was his oldest friend. She had known him over thirty years.) But he said nothing—or something offhand, inconsequential; nothing that mattered.
Once he met Emily by accident in the Quick-Save Grocery. She was choosing a can of soup. Instantly, without even a greeting, they fell upon her signs and symptoms. (“I’m not the slightest bit morning-sick. And I would be, don’t you think? I was terribly sick with Gina.”) In the middle of the aisle Morgan set his fingertips precisely within the neckline of her leotard and gave a clinical frown into space, but her breasts were as small and tight as ever. He dismayed himself by longing, suddenly, to take her away to his faded office couch again. But he didn’t suggest it. No, if this turned out to be a false alarm, he promised, they would become the brightest, gayest, most aboveboard of companions—he and Emily and Leon, racketing along in a merry threesome, and he and Emily would not so much as hold hands except to … what, to help each other out of boats, through the windows of burning buildings.
He turned these thoughts over continually, plowing them under, digging them up again, but the odd part was that he still felt sublimely, serenely distant. He seemed to have grown removed from everything. Even his own house, his family, he suddenly saw from outside. Often he paused in a doorway, say the door to his room, and looked in as if he were judging someone else’s life. It was not a bad place: the window open, curtains fluttering. He observed how lovely Bonny was when she fell into helpless laughter, which she was always doing. He noticed that when the house was full of women, there was a sound like water flowing in and out of the upstairs rooms. His mother and his sister spoke their chosen lines, which were as polished as the chorus of a poem. “This is the time when the artichokes begin, those spiky little leaves with a lemon-butter sauce …”
“If Robert Roberts had not taken all my energy, all the care I ever had to give …” One of the twins—Susan, who had never married—was home recovering from a bout of hepatitis, and she lay peacefully in her old spool bed, knitting Morgan a beautiful long stocking cap from every color of scrap wool in the house. As for his other daughters—why, it began to seem he’d finally found a place in their eyes, basking among their clamorous children. What had been embarrassing in a father, it appeared, was lovably eccentric in a grandfather. Yes, and on second thought, even his work was not so terrible—his hardware store smelling of wood and machine oils, and Butkins perched on a stool behind the counter. Butkins! He was a skeletal, hay-colored man, with a nose so pointed that it seemed a clear drop hung perpetually at its tip. He had once been young—twenty-three when Uncle Ollie hired him. In Morgan’s mind he’d stuck at that age forever after, but now Morgan took a closer look and found him nearing forty, bowed by his wife’s ill health and the death of his only child. He seemed collapsed at the center, cavernous. His eyes were the palest, milkiest blue that Morgan had ever seen, celestially mild and accepting. Morgan felt he had wasted so much time, had nearly let this man slip through his fingers unnoticed. He took to hunkering on his office steps and bemusedly smoking cigarettes while he studied Butkins at work, till Butkins grew flustered and spilled coins all over the counter as he was making change.
Emily phoned him at the hardware store. “I’m calling from home,” she said. “Leon’s gone out.”
“How are you?” Morgan