Mostly Harmless [45]
Suddenly the ramp folded itself back up again. That made it easy for Thrashbarg. They were demons and he had repulsed them. The reason he hadn't foretold it was that prudence and modesty forbade.
Almost immediately a different ramp folded itself out on the other side of the craft from where Thrashbarg was standing, and two figures at last emerged on it, still arguing with each other and ignoring everybody, even Thrashbarg, whom they wouldn't even have noticed from where they were standing.
Old Thrashbarg chewed angrily on his beard.
To continue to stand there with his arms upraised? To kneel with his head bowed forward and his staff held out pointing at them? To fall backwards as if overcome in some titanic inner struggle? Perhaps just to go off to the woods and live in a tree for a year without speaking to anyone?
He opted just to drop his arms smartly as if he had done what he meant to do. They were really hurting so he didn't have much choice. He made a small, secret sign he had just invented towards the ramp which had closed and then made three and a half steps backwards, so he could at least get a good look at whoever these people were and then decide what to do next.
The taller one was a very good looking woman wearing soft and crumply clothes. Old Thrashbarg didn't know this, but they were made of Rymplon TM, a new synthetic fabric which was terrific for space travel because it looked its absolute best when it was all creased and sweaty.
The shorter one was a girl. She was awkward and sullen looking, and was wearing clothes which looked their absolute worst when they were all creased and sweaty, and what was more she almost certainly knew it.
All eyes watched them, except for the pikka birds, which had their own things to watch.
The woman stood and looked around her. She had a purposeful air about her. There was obviously something in particular she wanted, but she didn't know exactly where to find it. She glanced from face to face among the villagers assembled curiously around her without apparently seeing what she was looking for.
Thrashbarg had no idea how to play this at all, and decided to resort to chanting. He threw back his head and began to wail, but was instantly interrupted by a fresh outbreak of song from the hut of the Sandwich Maker: the last one on the left. The woman looked round sharply, and gradually a smile came over her face. Without so much as a glance at Old Thrashbarg she started to walk towards the hut.
There is an art to the business of making sandwiches which it is given to few ever to find the time to explore in depth. It is a simple task, but the opportunities for satisfaction are many and profound: choosing the right bread for instance. The Sandwich Maker had spent many months in daily consultation and experiment with Grarp the baker and eventually they had between them created a loaf of exactly the consistency that was dense enough to slice thinly and neatly, while still being light, moist and having that fine nutty flavour which best enhanced the savour of roast Perfectly Normal Beast flesh.
There was also the geometry of the slice to be refined: the precise relationships between the width and height of the slice and also its thickness which would give the proper sense of bulk and weight to the finished sandwich: here again, lightness was a virtue, but so too were firmness, generosity and that promise of succulence and savour that is the hallmark of a truly intense sandwich experience.
The proper tools, of course, were crucial, and many were the days that the Sandwich Maker, when not engaged with the Baker at his oven, would spend with Strinder the Tool Maker, weighing and balancing knives, taking them to the forge and back again. Suppleness, strength, keenness of edge, length and balance were all enthusiastically debated, theories put forward, tested, refined, and many was the evening when the Sandwich Maker and the Tool Maker could be seen silhouetted against the light