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Murder on the Links - Agatha Christie [81]

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query about them was gradually stilled.

Shortly after we got back to London, I noticed a magnificent model of a foxhound adorning Poirot’s mantelpiece. In answer to my inquiring glance, Poirot nodded.

“Mais oui! I got my five hundred francs! Is he not a splendid fellow? I call him Giraud!”

A few days later Jack Renauld came to see us with a resolute expression on his face.

“Monsieur Poirot, I’ve come to say good-bye. I’m sailing for South America almost immediately. My father had large interests over the continent, and I mean to start a new life out there.”

“You go alone, Monsieur Jack?”

“My mother comes with me—and I shall keep Stonor on as my secretary. He likes out-of-the-way parts of the world.”

“No one else goes with you?”

Jack flushed.

“You mean—?”

“A girl who loves you very dearly—who has been willing to lay down her life for you.”

“How could I ask her?” muttered the boy. “After all that has happened, could I go to her and—Oh, what sort of a lame story could I tell?”

“Les femmes—they have a wonderful genius for manufacturing crutches for stories like that.”

“Yes, but—I’ve been such a damned fool.”

“So have all of us, one time and another,” observed Poirot philosophically.

But Jack’s face had hardened.

“There’s something else. I’m my father’s son. Would anyone marry me, knowing that?”

“You are your father’s son, you say. Hastings here will tell you that I believe in heredity—”

“Well, then—”

“Wait. I know a woman, a woman of courage and endurance, capable of great love, of supreme self-sacrifice—”

The boy looked up. His eyes softened.

“My mother!”

“Yes. You are your mother’s son as well as your father’s. Then go to Mademoiselle Bella. Tell her everything. Keep nothing back—and see what she will say!”

Jack looked irresolute.

“Go to her as a boy no longer, but a man—a man bowed by the fate of the Past, and the fate of Today, but looking forward to a new and wonderful life. Ask her to share it with you. You may not realize it, but your love for each other has been tested in the fire and not found wanting. You have both been willing to lay down your lives for each other.”

And what of Captain Arthur Hastings, humble chronicler of these pages?

There is some talk of his joining the Renaulds on a ranch across the seas, but for the end of this story I prefer to go back to a morning in the garden of the Villa Geneviève.

“I can’t call you Bella,” I said, “since it isn’t your name. And Dulcie seems so unfamiliar. So it’s got to be Cinderella. Cinderella married the Prince, you remember. I’m not a Prince, but—”

She interrupted me.

“Cinderella warned him, I’m sure. You see, she couldn’t promise to turn into a princess. She was only a little scullion after all—”

“It’s the Prince’s turn to interrupt,” I interpolated. “Do you know what he said?”

“No?”

“‘Hell!’ said the Prince—and kissed her!”

And I suited the action to the word.

* * *

The Agatha Christie Collection

THE HERCULE POIROT MYSTERIES

Match your wits with the famous Belgian detective.

The Mysterious Affair at Styles

The Murder on the Links

Poirot Investigates

The Murder of Roger Ackroyd

The Big Four

The Mystery of the Blue Train

Peril at End House

Lord Edgware Dies

Murder on the Orient Express

Three Act Tragedy

Death in the Clouds

The A.B.C. Murders

Murder in Mesopotamia

Cards on the Table

Murder in the Mews

Dumb Witness

Death on the Nile

Appointment with Death

Hercule Poirot’s Christmas

Sad Cypress

One, Two, Buckle My Shoe

Evil Under the Sun

Five Little Pigs

The Hollow

The Labors of Hercules

Taken at the Flood

The Underdog and Other Stories

Mrs. McGinty’s Dead

After the Funeral

Hickory Dickory Dock

Dead Man’s Folly

Cat Among the Pigeons

The Clocks

Third Girl

Hallowe’en Party

Elephants Can Remember

Curtain: Poirot’s Last Case

Explore more at www.AgathaChristie.com

* * *

* * *

The Agatha Christie Collection

THE MISS MARPLE MYSTERIES

Join the legendary spinster sleuth from St. Mary Mead in solving murders far and wide.

The Murder at the Vicarage

The Body in the Library

The Moving

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