Mysterious Mr. Quin - Agatha Christie [27]
Still thoughtful, Mr Satterthwaite turned into the Arlecchino and made for his favourite table in a recess in the far corner. Owing to the twilight before mentioned, it was not until he was quite close to it that he saw it was already occupied by a tall dark man who sat with his face in shadow, and with a play of colour from a stained window turning his sober garb into a kind of riotous motley.
Mr Satterthwaite would have turned back, but just at that moment the stranger moved slightly and the other recognized him.
‘God bless my soul,’ said Mr Satterthwaite, who was given to old-fashioned expressions. ‘Why, it’s Mr Quin!’
Three times before he had met Mr Quin, and each time the meeting had resulted in something a little out of the ordinary. A strange person, this Mr Quin, with a knack of showing you the things you had known all along in a totally different light.
At once Mr Satterthwaite felt excited–pleasurably excited. His role was that of the looker-on, and he knew it, but sometimes when in the company of Mr Quin he had the illusion of being an actor–and the principal actor at that.
‘This is very pleasant,’ he said, beaming all over his dried-up little face. ‘Very pleasant indeed. You’ve no objection to my joining you, I hope?’
‘I shall be delighted,’ said Mr Quin. ‘As you see, I have not yet begun my meal.’
A deferential head waiter hovered up out of the shadows. Mr Satterthwaite, as befitted a man with a seasoned palate, gave his whole mind to the task of selection. In a few minutes, the head waiter, a slight smile of approbation on his lips, retired, and a young satellite began his ministrations. Mr Satterthwaite turned to Mr Quin.
‘I have just come from the Old Bailey,’ he began. ‘A sad business, I thought.’
‘He was found guilty?’ said Mr Quin.
‘Yes, the jury were out only half an hour.’
Mr Quin bowed his head.
‘An inevitable result–on the evidence,’ he said.
‘And yet,’ began Mr Satterthwaite–and stopped.
Mr Quin finished the sentence for him.
‘And yet your sympathies were with the accused? Is that what you were going to say?’
‘I suppose it was. Martin Wylde is a nice-looking young fellow–one can hardly believe it of him. All the same, there have been a good many nice-looking young fellows lately who have turned out to be murderers of a particularly cold-blooded and repellent type.’
‘Too many,’ said Mr Quin quietly.
‘I beg your pardon?’ said Mr Satterthwaite, slightly startled.
‘Too many for Martin Wylde. There has been a tendency from the beginning to regard this as just one more of a series of the same type of crime–a man seeking to free himself from one woman in order to marry another.’
‘Well,’ said Mr Satterthwaite doubtfully. ‘On the evidence–’
‘Ah!’ said Mr Quin quickly. ‘I am afraid I have not followed all the evidence.’
Mr Satterthwaite’s self-confidence came back to him with a rush. He felt a sudden sense of power. He was tempted to be consciously dramatic.
‘Let me try and show it to you. I have met the Barnabys, you understand. I know the peculiar circumstances. With me, you will come behind the scenes–you will see the thing from inside.’
Mr Quin leant forward with his quick encouraging smile.
‘If anyone can show me that, it will be Mr Satterthwaite,’ he murmured.
Mr Satterthwaite gripped the table with both hands. He was uplifted, carried out of himself. For the moment, he was an artist pure and simple–an artist whose medium was words.
Swiftly, with a dozen broad strokes, he etched in the picture of life at Deering Hill. Sir George Barnaby, elderly, obese, purse-proud. A man