Mysterious Mr. Quin - Agatha Christie [64]
Very slowly he nodded his head.
‘It is the real thing,’ he said.
‘You think so?’
‘As fine a voice as Caruso’s. People will not recognize that it is so at first, for his technique is not yet perfect. There are ragged edges, a lack of certainty in the attack. But the voice is there–magnificent.’
‘I went to his concert at the Albert Hall,’ said Mr Quin.
‘Did you? I could not go.’
‘He made a wonderful hit with a Shepherd’s Song.’
‘I read about it,’ said Mr Satterthwaite. ‘The refrain ends each time with a high note–a kind of cry. A note midway between A and B flat. Very curious.’
Yoaschbim had taken three calls, bowing and smiling. The lights went up and the people began to file out. Mr Satterthwaite leant over to watch the girl with the golden head. She rose, adjusted her scarf, and turned.
Mr Satterthwaite caught his breath. There were, he knew, such faces in the world–faces that made history.
The girl moved to the gangway, her companion, a young man, beside her. And Mr Satterthwaite noticed how every man in the vicinity looked–and continued to look covertly.
‘Beauty!’ said Mr Satterthwaite to himself. ‘There is such a thing. Not charm, nor attraction, nor magnetism, nor any of the things we talk about so glibly –just sheer beauty. The shape of a face, the line of an eyebrow, the curve of a jaw. He quoted softly under his breath: ‘The face that launched a thousand ships.’ And for the first time he realized the meaning of those words.
He glanced across at Mr Quin, who was watching him in what seemed such perfect comprehension that Mr Satterthwaite felt there was no need for words.
‘I’ve always wondered,’ he said simply, ‘what such women were really like.’
‘You mean?’
‘The Helens, the Cleopatras, the Mary Stuarts.’
Mr Quin nodded thoughtfully.
‘If we go out,’ he suggested, ‘we may–see.’
They went out together, and their quest was successful. The pair they were in search of were seated on a lounge half-way up the staircase. For the first time, Mr Satterthwaite noted the girl’s companion, a dark young man, not handsome, but with a suggestion of restless fire about him. A face full of strange angles; jutting cheek-bones, a forceful, slightly crooked jaw, deep-set eyes that were curiously light under the dark, overhanging brows.
‘An interesting face,’ said Mr Satterthwaite to himself. ‘A real face. It means something.’
The young man was leaning forward talking earnestly. The girl was listening. Neither of them belonged to Mr Satterthwaite’s world. He took them to be of the ‘Arty’ class. The girl wore a rather shapeless garment of cheap green silk. Her shoes were of soiled, white satin. The young man wore his evening clothes with an air of being uncomfortable in them.
The two men passed and re-passed several times. The fourth time they did so, the couple had been joined by a third–a fair young man with a suggestion of the clerk about him. With his coming a certain tension had set in. The newcomer was fidgetting with his tie and seemed ill at ease, the girl’s beautiful face was turned gravely up towards him, and her companion was scowling furiously.
‘The usual story,’ said Mr Quin very softly, as they passed.
‘Yes,’ said Mr Satterthwaite with a sigh. ‘It’s inevitable, I suppose. The snarling of two dogs over a bone. It always has been, it always will be. And yet, one could wish for something different. Beauty–’ he stopped. Beauty, to Mr Satterthwaite, meant something very wonderful. He found it difficult to speak of it. He looked at Mr Quin, who nodded his head gravely in understanding.
They went back to their seats for the second act.
At the close of the performance, Mr Satterthwaite turned eagerly to his friend.
‘It is a wet night. My car is here. You must allow me to drive you–er–somewhere.’
The last word was Mr Satterthwaite’s delicacy coming into play. ‘To drive you home’ would, he felt, have savoured of curiosity. Mr Quin had always been singularly reticent. It was extraordinary how little Mr Satterthwaite knew about him.
‘But perhaps,