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Mysterious Mr. Quin - Agatha Christie [68]

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her voice.

He was not particularly anxious to see young Burns again, so presently he rose to go. It was at that moment that his attention was attracted by an ornament on the mantelpiece which stood out among the other rather gimcrack objects like a jewel on a dust heap.

It was a curving beaker of thin green glass, long-stemmed and graceful, and poised on the edge of it was what looked like a gigantic soap-bubble, a ball of iridescent glass. Gillian noticed his absorption.

‘That’s an extra wedding present from Phil. It’s rather pretty, I think. He works in a sort of glass factory.’

‘It is a beautiful thing,’ said Mr Satterthwaite reverently. ‘The glass blowers of Murano might have been proud of that.’

He went away with his interest in Philip Eastney strangely stimulated. An extraordinarily interesting young man. And yet the girl with the wonderful face preferred Charlie Burns. What a strange and inscrutable universe!

It had just occurred to Mr Satterthwaite that, owing to the remarkable beauty of Gillian West, his evening with Mr Quin had somehow missed fire. As a rule, every meeting with that mysterious individual had resulted in some strange and unforeseen happening. It was with the hope of perhaps running against the man of mystery that Mr Satterthwaite bent his steps towards the Arlecchino Restaurant where once, in the days gone by, he had met Mr Quin, and which Mr Quin had said he often frequented.

Mr Satterthwaite went from room to room at the Arlecchino, looking hopefully about him, but there was no sign of Mr Quin’s dark, smiling face. There was, however, somebody else. Sitting at a small table alone was Philip Eastney.

The place was crowded and Mr Satterthwaite took his seat opposite the young man. He felt a sudden strange sense of exultation, as though he were caught up and made part of a shimmering pattern of events. He was in this thing–whatever it was. He knew now what Mr Quin had meant that evening at the Opera. There was a drama going on, and in it was a part, an important part, for Mr Satterthwaite. He must not fail to take his cue and speak his lines.

He sat down opposite Philip Eastney with the sense of accomplishing the inevitable. It was easy enough to get into conversation. Eastney seemed anxious to talk. Mr Satterthwaite was, as always, an encouraging and sympathetic listener. They talked of the war, of explosives, of poison gases. Eastney had a lot to say about these last, for during the greater part of the war he had been engaged in their manufacture. Mr Satterthwaite found him really interesting.

There was one gas, Eastney said, that had never been tried. The Armistice had come too soon. Great things had been hoped for it. One whiff of it was deadly. He warmed to animation as he spoke.

Having broken the ice, Mr Satterthwaite gently turned the conversation to music. Eastney’s thin face lit up. He spoke with the passion and abandon of the real music lover. They discussed Yoaschbim, and the young man was enthusiastic. Both he and Mr Satterthwaite agreed that nothing on earth could surpass a really fine tenor voice. Eastney as a boy had heard Caruso and he had never forgotten it.

‘Do you know that he could sing to a wine-glass and shatter it?’ he demanded.

‘I always thought that was a fable,’ said Mr Satterthwaite smiling.

‘No, it’s gospel truth, I believe. The thing’s quite possible. It’s a question of resonance.’

He went off into technical details. His face was flushed and his eyes shone. The subject seemed to fascinate him, and Mr Satterthwaite noted that he seemed to have a thorough grasp of what he was talking about. The elder man realized that he was talking to an exceptional brain, a brain that might almost be described as that of a genius. Brilliant, erratic, undecided as yet as to the true channel to give it outlet, but undoubtedly genius.

And he thought of Charlie Burns and wondered at Gillian West.

It was with quite a start that he realized how late it was getting, and he called for his bill. Eastney looked slightly apologetic.

‘I’m ashamed of myself–running on so,’ he said.

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