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Never Let Me Go - Kazuo Ishiguro [71]

By Root 797 0
’s possible, I did begin to enjoy the paintings and the sheer peacefulness of the place. It felt like we’d come a hundred miles from the High Street. The walls and ceilings were peppermint, and here and there, you’d see a bit of fishing net, or a rotted piece from a boat stuck up high near the cornicing. The paintings too—mostly oils in deep blues and greens—had sea themes. Maybe it was the tiredness suddenly catching up with us—after all, we’d been travelling since before dawn—but I wasn’t the only one who went off into a bit of a dream in there. We’d all wandered into different corners, and were staring at one picture after another, only occasionally making the odd hushed remark like: “Come and look at this!” All the time, we could hear Ruth’s possible and the silver-haired lady talking on and on. They weren’t especially loud, but in that place, their voices seemed to fill the entire space. They were discussing some man they both knew, how he didn’t have a clue with his children. And as we kept listening to them, stealing the odd glance in their direction, bit by bit, something started to change. It did for me, and I could tell it was happening for the others. If we’d left it at seeing the woman through the glass of her office, even if we’d followed her through the town then lost her, we could still have gone back to the Cottages excited and triumphant. But now, in that gallery, the woman was too close, much closer than we’d ever really wanted. And the more we heard her and looked at her, the less she seemed like Ruth. It was a feeling that grew among us almost tangibly, and I could tell that Ruth, absorbed in a picture on the other side of the room, was feeling it as much as anyone. That was probably why we went on shuffling around that gallery for so long; we were delaying the moment when we’d have to confer.

Then suddenly the woman had left, and we all kept standing about, avoiding each other’s eyes. But none of us had thought to follow the woman, and as the seconds kept ticking on, it became like we were agreeing, without speaking, about how we now saw the situation.

Eventually the silver-haired lady came out from behind her desk and said to Tommy, who was the nearest to her: “That’s a particularly lovely work. That one’s a favourite of mine.”

Tommy turned to her and let out a laugh. Then as I was hurrying over to help him out, the lady asked: “Are you art students?”

“Not exactly,” I said before Tommy could respond. “We’re just, well, keen.”

The silver-haired lady beamed, then started to tell us how the artist whose work we were looking at was related to her, and all about the artist’s career thus far. This had the effect, at least, of breaking the trance-like state we’d been in, and we gathered round her to listen, the way we might have done at Hailsham when a guardian started to speak. This really got the silver-haired lady going, and we kept nodding and exclaiming while she talked about where the paintings had been done, the times of day the artist liked to work, how some had been done without sketches. Then there came a kind of natural end to her lecture, and we all gave a sigh, thanked her and went out.

The street outside being so narrow, we couldn’t talk properly for a while longer, and I think we were all grateful for that. As we walked away from the gallery in single file, I could see Rodney, up at the front, theatrically stretching out his arms, like he was exhilarated the way he’d been when we’d first arrived in the town. But it wasn’t convincing, and once we came out onto a wider street, we all shuffled to a halt.

We were once again near a cliff edge. And like before, if you peered over the rail, you could see the paths zigzagging down to the seafront, except this time you could see the promenade at the bottom with rows of boarded-up stalls.

We spent a few moments just looking out, letting the wind hit us. Rodney was still trying to be cheerful, like he’d decided not to let any of this business spoil a good outing. He was pointing out to Chrissie something in the sea, way off on the horizon. But Chrissie

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