Night Shift - Stephen King [165]
She chokes on the water a little and it frightens him even though he has been thinking about giving her pills. He asks her again if she would like a cigarette and she says:
- If it's not any trouble. Then you better go. Maybe I'll be better tomorrow.
He shakes a Kool out of one of the packages scattered on the table by her bed and lights it. He holds it between the first and second fingers of his right hand, and she puffs it, her lips stretching to grasp the filter. Her inhale is weak. The smoke drifts from her lips.
- I had to live sixty years so my son could hold my cigarettes for me.
- I don't mind.
She puffs again and holds the filter against her lips so long that he glances away from it to her eyes and sees they are closed.
- Mom?
The eyes open a little, vaguely.
- Johnny?
Right.
- How long have you been here?
- Not long. I think I better go. Let you sleep.
- Hnnnnn.
He snuffs the cigarette in her ashtray and slinks from the room, thinking: I want to talk to that doctor. Goddamn it, I want to talk to the doctor who did that.
Getting into the elevator he thinks that the word 'doctor' becomes a synonym for 'man' after a certain degree of proficiency in the trade has been reached, as if it was an expected, provisioned thing that doctors must be cruel and thus attain a special degree of humanity. But
'I don't think she can really go on much longer,' he tells his brother later that night. His brother lives in Andover, seventy miles west. He only gets to the hospital once or twice a week.
'But is her pain better?' Kev asks.
'She says she itches.' He has the pills in his sweater pocket. His wife is safely asleep. He takes them out, stolen loot from his mother's empty house, where they all once lived with the grandparents. He turns the box over and over in his hand as he talked, like a rabbit's foot.
'Well then, she's better.' For Kev everything is always better, as if life moved towards some sublime vertex. It is a view the younger brother does not share.
'She's paralyzed.'
'Does it matter at this point?'
'Of course it matters!' he bursts out, thinking of her legs under the white ribbed sheet.
'John, she's dying.'
'She's not dead yet.' This in fact is what horrifies him. The conversation will go around in circles from here, the profits accruing to the telephone company, but this is the nub. Not dead yet.