Night Train to Memphis - Elizabeth Peters [119]
I saw Foggington-Smythe first. He was bareheaded, and his face was set in a frown as he talked with the clerk. The clerk kept shaking his head. He was looking, not at Perry but at Perry’s companion. From behind all I could see was white – fur coat, long evening frock, bleached hair.
I ducked behind a convenient pillar. John sauntered towards me and paused to light a cigarette. ‘Yours?’ he asked.
‘No. I don’t think so. Yours?’
‘At this point we must assume everyone who isn’t for us is against us. Walk, do not run, to the nearest exit.’
It was the only thing to do; I’d be even more conspicuous lurking in doubtful concealment. But I felt as if I were being followed across the lobby by a gigantic searchlight, and when someone barred my path I almost jumped out of Feisal’s oversized sandals.
‘Excuse me, young fella.’
I looked wildly over my shoulder before I realized I was the young fella in question. The speaker was a grey-haired American wearing a bright red fez. He wanted to know where I had bought my shirt. Innocent creature that I am, I didn’t realize that wasn’t all he wanted until he suggested that we have a drink while we talked it over.
I was about to tell him what he could do with his drink – and his fez – when John, passing on his way to the door, swung his briefcase and caught me a painful blow on the leg. It was, as the poet says a salutary reminder. I growled wordlessly at my admirer and scuttled after John.
By the time I reached the car I was running, and so was the engine. John shoved me in.
‘You daft female,’ he said crossly. ‘What did you stop for? I think Foggington-Smythe may have spotted you.’
‘I can’t help it if I’m irresistible to men,’ I said, falling across his lap as Feisal made an abrupt and doubtless illegal U-turn.
John set me upright. ‘In your present costume I have no difficulty at all resisting you.’
‘Crushed again.’
‘I am beginning to understand why so many people are so annoyed with you two,’ said a voice from the front seat. ‘Where’s the Herr Direktor? Where are we going? What – ’
‘One question at a time,’ said John. ‘First, I suggest you get off the corniche. Take back streets whenever possible – ’
‘We have to go past the railroad station first,’ I interrupted.
‘No, we don’t.’
‘Yes, we do. I want to make sure Schmidt – ’
‘No, we don’t.’
‘Stop it!’ Feisal shouted hysterically.
‘Right,’ said John. ‘Who’s in charge here, anyhow?’
‘I’m not winding my way through a maze of back streets, either,’ Feisal declared. ‘The sooner we get out of Luxor the happier I’ll be.’
John sighed. ‘That was certainly one of the most futile questions I have ever asked. Vicky, there’s no use looking for Schmidt at the station. I – er – I haven’t been entirely candid with you.’
‘No!’ I exclaimed. ‘You, not entirely candid? I can’t believe it. What little teeny tiny unimportant detail did you omit? Don’t tell me, let me guess. There is no night train to Memphis, right?’
‘There is no bloody train to Memphis, stop, end of sentence!’ He caught himself in mid-shout and in the silence that followed I could hear every shaken breath. ‘I told you that,’ he went on, a few decibels lower. ‘What I neglected to mention, for a number of reasons, all excellent, is that there are several night trains to Cairo. Would you care to hear my ideas as to which one Schmidt is most likely to have chosen, or would you rather continue this unproductive exchange of insults?’
‘I hate it when you talk like that,’ I muttered. ‘Go on.’
‘Egyptian trains,’ said John, in an even more maddening drawl, and with even more infuriating precision, ‘are of several types. Wagon Lits runs two overnight expresses, with sleeping cars, between Luxor and Cairo. They start at Aswan, in fact, but that doesn’t concern us. One leaves Luxor at seven-thirty and the other at ten-thirty. Both times, I hardly need add, are approximate.’
‘You hardly need. How do you know the