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No Graves as Yet_ A Novel - Anne Perry [140]

By Root 813 0
the open moorland, with huge, wind-raked skies—Northumberland!

What had Connie been doing in Northumberland with Beecher? Almost before he had finished asking, the answer was whole in his mind. He remembered her taking a holiday late the previous summer, just after he had come to Cambridge. She had gone north to visit a relative, an aunt or something. And Beecher had gone walking alone; Joseph had been mourning Eleanor and refused even to think of such a thing. He needed to be busy, his mind occupied until exhaustion took over. The thought of so much wild, solitary beauty was too powerful to bear.

But where had Sebastian found the photograph? A dozen answers were possible: found during a visit to Beecher’s rooms, slipped out of the pocket of a jacket left over a chair, or even from the contents of Connie’s handbag when it tipped over.

Was that what had unnerved Beecher to the point he had so openly criticized Sebastian, and at the same time allowed him to get away with such slipshod, challenging behavior? He was afraid. This was proof.

He put it into his pocket and turned to leave. The room was stifling now, the air heavy, choking in the throat. He fancied he could smell the dried blood on the wall and in the cracks of the floorboards. Did one ever really get such things out?

It was time to face Beecher. He went out and closed the door behind him. He felt stiff and weary, dreading what was to come.

It was windless and hot in the late slanting sunlight as he crossed the quad and went in through the door on the far side and up the stairs to Beecher’s rooms. He dreaded having to be so blunt about what was a private subject, but nothing was truly private anymore.

He reached the landing and was surprised to see Beecher’s door slightly ajar. It was unusual because it was an invitation to anyone to interrupt whatever he was doing, and that was completely out of character.

“Beecher?” he called, pushing it a few inches wider. “Beecher?”

There was no answer. Could he have slipped out to see someone, intending to be back in a moment or two, and simply left the door ajar?

He did not like to go in uninvited. He was going to intrude painfully enough when it was inevitable. He called out again, and there was still no answer. He stood, expecting to hear Beecher’s familiar step any minute, but there was no sound except the call of voices in the distance.

Then at last there were footsteps, light and quick. Joseph spun around. But it was Rattray coming down from the floor above.

“Have you seen Dr. Beecher?” Joseph asked.

“No, sir. I thought he was in his rooms. Are you sure he isn’t?”

“Beecher!” Joseph called again, this time raising his voice considerably.

Still there was silence. But it would be most unlike Beecher to have gone out and left his door open. He pushed it wider and went inside. There was no one in the study, but the bedroom door beyond was also ajar. Joseph walked over and knocked on it. It swung open. Then he saw Beecher. He was leaning back in the bedroom chair, his head lolled against the wall behind him. He looked exactly as Sebastian had: the small hole in his right temple, the gaping wound on the other side, the blood drenching the wall. Only this time the revolver was on the floor where it had fallen from the dead hand.

For a moment Joseph could not move for horror. It lurched up inside him, and he had the thought that he was going to be sick. The room wavered, and there was a roar in his ears.

He breathed in deeply and tasted bile in his throat. Gradually he backed out of the door and through the outer room to find Rattray still waiting on the landing. Rattray saw his face and the words were hoarse on his lips. “What is it?”

“Dr. Beecher is dead.” Joseph’s voice sounded strangled, as if his lungs were paralyzed. “Go and get Perth . . . or . . . someone.”

“Yes, sir.” But for several seconds Rattray was unable to move.

Joseph closed the door to Beecher’s rooms and stood for a moment gasping for air. Then his legs buckled and he collapsed onto the floor, leaning his back against the door lintel. His

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