No Time for Goodbye - Linwood Barclay [122]
Clayton nodded slowly. “She wasn’t trying to spare him,” he said.
“What?”
“If she didn’t let him see what she’d done, it wasn’t to spare him from an ugly scene. It was because she didn’t want him to know.”
“Why?”
Clayton took a couple of breaths. “I need to sit down,” he said. I got up off the floor and eased him into one of the chairs at the kitchen table. “Look in the cupboard over there,” he said, pointing. “There may be some Tylenols or something.”
I had to step over Vince’s legs and detour around the gradually expanding pool of blood on the kitchen floor to reach the cupboard. I found some extra-strength Tylenols in there, and in the cupboard next to it were glasses. I filled one with water and worked my way back across the kitchen without slipping.
The Tylenols had a childproof lid that was beyond Clayton. I opened the container, took out two tablets, and put them into his open hand.
“Four,” he said.
I was listening for an ambulance siren, wanting to hear it, but also wanting to get out of there before it arrived. I shook out two more tablets for Clayton, handed him the water. He had to take them one at a time. Getting the four pills down seemed to take him forever. When he was done, I said, “Why? Why wouldn’t she want him to know?”
“Because if Jeremy knew, he might get her to call it off. What they’re planning to do. With him here, shot, with you heading off to the hospital to see me, you knowing who he really is, he’d realize it’s all starting to come apart. If they’re off to do what I think they’re going to do, there isn’t much hope now of getting away with it.”
“But Enid has to know all that, too,” I said.
Clayton gave me a half-smile. “You don’t understand Enid. All she can see is that inheritance. She’ll be blinded to anything else, any problems that might deter her. She’s somewhat single-minded about these sorts of things.”
I glanced up at a wall clock, the face made to look like the cross section of an apple. It was 1:06 a.m.
“How much of a head start do you think they’ve got?” Clayton asked me.
“Whatever it is,” I said, “it’s too much.” I glanced over at the counter, saw a roll of Reynolds Wrap, a few brown crumbs scattered about. “She’s packed the carrot cake,” I said. “Something for the road.”
“Okay,” Clayton said, gathering his strength to stand. “Fucking cancer. It’s all through me. Life’s just nothing but pain and misery, and then you get to finish it off with a mess like this.”
Once he was on his feet, he said, “There’s one thing I have to take with me.”
“The Tylenols? Some other medicine?”
“Sure, grab the Tylenols. But something else. I don’t think I have the energy to go downstairs to get it.”
“Tell me what it is.”
“In the basement, you’ll find a workbench. There’s a red toolbox sitting on top of it.”
“Okay.”
“You open up the toolbox, there’s a tray in the top you can lift out. I want what’s taped to the bottom of the tray.”
The door to the basement was around the corner from the kitchen. As I reached for the light switch at the top of the stairs, I called over to Vince.
“How you holding out?”
“Fuck,” he said quietly.
I descended the wooden steps. It was musty and cool down there, and the place was a mess of storage boxes and Christmas decorations, bits and pieces of disused furniture, a couple of mousetraps tucked into a corner. Along the far wall was the workbench, the top of it littered with half-used tubes of caulking, scraps of sandpaper, tools not put away, and a dented and scratched red toolbox.
A bare bulb hung over the bench and I pulled the string dangling from it so I could better see what I was doing. I unlocked the two metal clasps on the toolbox, opened the lid. The tray was filled with rusty screws, broken jigsaw blades, screwdrivers. Turning the tray over would make a hell of a mess, not that anyone would notice. So I raised the tray up just above my head to see what was under it.
It was an envelope. A standard letter-sized envelope, dirtied and stained,