Normandy, Brittany & the Best of the North_ With Paris (Fodor's) - Fodor's [129]
Jardin du Luxembourg (Luxembourg Gardens).
Immortalized in countless paintings, the Luxembourg Gardens possess all that is unique and befuddling about Parisian parks: swarms of pigeons, cookie-cutter trees, ironed-and-pressed dirt walkways, and immaculate lawns meant for admiring, not touching. The tree- and bench-lined paths offer a reprieve from the incessant bustle of the Quartier Latin, as well as an opportunity to discover the dotty old women and smooching university students who once found their way into Doisneau photographs. The park’s northern boundary is dominated by the Palais du Luxembourg, now the Senate. A sweet attraction is the Théâtre des Marionnettes where, on weekends at 11 and 3:15 and on Wednesday at 3:15 (hours may vary), you can catch a classic puppet show for a small charge. Kids will also love the merry-go-round, swings, pony rides, and toy sailboats for rent that ply the lake. Marie de Medici, widow of Henry IV, ordered the palace built in the style of the Florentine Medici home, the Palazzo Pitti. The Musée du Luxembourg (01–44–32–18–00 www.museeduluxembourg.fr), which is part of the palace, plays host to prestigious (and crowded) temporary exhibitions. | Bordered by Bd. St-Michel and Rues de Vaugirard, de Médicis, Guynemer, and Auguste-Comte, St-Germain-des-Prés | 75006 | Free | Daily until dusk | Station: Odéon; RER: Luxembourg.
Fodor’s Choice | Musée d’Orsay.
In a spectacularly converted Belle Époque train station, the Orsay Museum—devoted to the arts (mainly French) spanning the period 1848–1914—is one of the city’s most popular, thanks to the presence of the world’s greatest collection of Impressionist and Postimpressionist paintings. Here you can find Manet’s Déjeuner sur l’Herbe (Lunch on the Grass), the painting that scandalized Paris in 1863 when it was shown at the Salon des Refusés, an exhibit organized by artists refused permission to show their work at the Academy’s official annual salon, as well as the artist’s provocative nude, Olympia. There’s a dazzling rainbow of masterpieces by Renoir (including his beloved Le Moulin de la Galette), Sisley, Pissarro, and Monet. The Postimpressionists—Cézanne, Van Gogh, Gauguin, and Toulouse-Lautrec—are on the top floor. On the ground floor you can find the work of Manet, the powerful realism of Courbet, and the delicate nuances of Degas. If you prefer more academic paintings, look for Puvis de Chavannes’s larger-than-life classical canvases. And if you’re excited by more modern developments, look for the early-20th-century Fauves (meaning “wild beasts,” the name given them by an outraged critic in 1905)—particularly Matisse, Derain, and Vlaminck.
The museum is arranged on three floors. Once past the ticket booths (get your tickets in advance through the Web site to avoid the lines), you can pick up an English-language