Nothing but Trouble_ A Kevin Kerney Novel - Michael Mcgarrity [21]
Santa Fe’s convention center fell far short of the mark for a city that thrived on tourism. In fact, it was nothing more than a renovated public-school gymnasium located within a few steps of city hall. On the outside, the center had been fixed up to look like the real deal. But inside, the dimensions of the space gave away its architectural roots. Stairs from the lobby led to a partial mezzanine that looked down on the hall below and opened onto a few large meeting rooms off to one side. In the back, behind the stage, were kitchen facilities. Stark, small, and uninviting, the center failed to draw many conventions and was usually put to use for dances, regional trade shows, art fairs, and an occasional banquet.
Kerney stood on the mezzanine, watching Ramona Pino circulate among the booths that filled the hall. Petite, slender, and easy on the eyes, she blended in easily with all the well-groomed trophy wives and trust-funders.
There were sixty-five dealers set up on the convention-center floor, displaying a wide array of Western art, estate jewelry, rare books, collectible memorabilia, exquisite old Native American pottery, and antique Spanish colonial furniture.
After the doors had opened, people flooded in, some making a beeline to a particular booth, others wandering slowly down the aisles, pausing to examine a tray of jewelry, an oil painting, or a Navajo rug. Kerney left the mezzanine, wondering if he should have told Ramona to assign more detectives to the event. Given the size of the crowd, the two of them would have a hard time covering the floor by themselves.
He joined the throng, moving from booth to booth, stopping to glance at a pre-Colombian effigy pot, a nineteenth-century Apache woven basket, a Charles Russell pencil drawing, all the time watching the people around him.
It was a well-heeled crowd. Women in broomstick skirts wearing heavy turquoise-and-silver jewelry cruised by. Gray-headed men in designer jeans and expensive boots trailed along. Flashy matrons with big hair, dripping with diamonds, chatted up dealers with Texas twangs.
He strolled down an aisle and squeezed past a cluster of people who’d stopped to look at a glass case filled with vintage wristwatches. Some of the dealers appeared watchful, while others seemed distracted by the crowds. All in all there were easy pickings for any good shoplifter in attendance.
Kerney stopped briefly at a display of intricately carved nineteenth-century wood chests imported from Mexico to watch a young woman at an adjacent booth put her handbag on the counter next to a stack of rare books. Dressed in black slacks and a white blouse, the woman wore a hat that hid her face. She picked up a book, studied it for a moment, put it back, and moved on.
At the end of the aisle he saw Ramona Pino eyeballing the woman and wondered if he’d missed something. He stepped into the aisle, jockeying his way past a few people to get behind the woman as Ramona closed the gap from the opposite direction.
The woman paused in front of a booth filled with landscape paintings. Ramona sidled up to her, gave Kerney a slight nod, and said, “Crystal Hurley?”
The woman’s head snapped in Ramona’s direction. “What?”
“Are you Crystal Hurley?” Ramona asked.
“What if I am?”
Ramona flashed the shield she held in the palm of her hand and put it quickly in the pocket of her slacks. “I need to speak with you,” she said softly. “Please step away with me.”
“I will not.”
“You’re not in trouble, Ms. Hurley,” Ramona said reassuringly.
Hurley smiled. “I don’t know what you’re talking about.”
Ramona held out her hand. Self-destructive or not, Hurley could be packing, and that upped the danger considerably. “Can I look inside your handbag?”
Hurley clutched it to her midriff, turned, and looked at Kerney, her blue eyes wide and frightened. Just then a woman stepped between Ramona and Hurley and a man jostled past Kerney, pushing him slightly off balance. Before he could react, Hurley bolted past him, knocked