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Numbers in the Dark and Other Stories - Italo Calvino [0]

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ACCLAIM FOR Italo Calvino's

Numbers in the Dark

“The curious quirks that would shape Calvino's eccentric orbit can be descried, along with the exuberant talent and sense of magic that would make that orbit a flaming one.”

—Los Angeles Times

“With seventeen books in print, Italo Calvino enjoys a privilege that few foreign writers ever achieve here: virtually all his works can be read in English…. Calvino's ready availability is of course a sign (and support) of his canonical status in world literature, the capacit) of his fiction to be significant in many different cultures…, Tim Parks's translation is perfectly in tune with the various dialects and discourses that Calvino assimilated during his Career. By the ‘80s his supple Italian was tossing off polylingual arpeggios, technical jargon's, nonce words…. More than accurate and readable, [Parks's] version is inventive.”

—The New York Times Book Review

“Numbers in the Dark is a glorious grab bag … with gems from every phase in Calvino's career.”

—San Francisco Sunday Examiner <& Chronicle Book Review

“Warmly and experdy translated by Tim Parks, a gifted writer himself.”

—Esquire

Italo Calvino

Numbers in the Dark

Italo Calvino (1923—1985) was born in Cuba and grew up in San Remo, Italy. He was a member of the partisan movement during the German occupation of northern Italy in World War II. The novel that resulted from that experience, published in English as The Path to the Nest of Spiders, won widespread acclaim. His other works of fiction include The Baron in the Trees, The Castle of Crossed Destinies, Cosmicomics, Difficult Loves, If on a Winters Night a Traveler, Invisible Cities, Marcovaldo, Mr. Palomar, The Nonexistent Knight & The Cloven Viscount, t %ero, Under the Jaguar Sun, and The Watcher and Other Stories. His works of nonfiction include Six Memos for the Next Millennium and The Uses of Literature, collections of literary essays, and the anthology Italian Folktales.

also by Italo Calvino

The Baron in the Trees

Cosmicomics

Difficult Loves

Fantastical Tales

If on a Winter's Night a Traveler

Invisible Cities

Italian Folktales

Marcovaldo

Mr. Palo mar

The Nonexistent Knight & the Cloven Viscount

The Road to San Giovanni

Six Memos for the Next Millennium

Under the faguar Sun

The Uses of Literature

The Castle of Crossed Destinies

t zero

The Watcher and Other Stories

Contents


Preface by Esther Calvino

FABLES AND STORIES 1943-1958

The Man Who Shouted Teresa

The Flash

Making Do

Dry River

Conscience

Solidarity

The Black Sheep

Good for Nothing

Like a Flight of Ducks

Love Far from Home

Wind in a City

The Lost Regiment

Enemy Eyes

A General in the Library

The Workshop Hen

Numbers in the Dark

The Queen's Necklace

Becalmed in the Antilles

The Tribe with Its Eyes on the Sky

Nocturnal Soliloquy of a Scottish Nobleman

A Beautiful March Day

TALES AND DIALOGUES 1968-1984

World Memory

Beheading the Heads

The Burning of the Abominable House

The Petrol Pump

Neanderthal Man

Montezuma

Before You Say ‘Hello’

Glaciation

The Call of the Water

The Mirror, the Target

The Other Eurydice

The Memoirs of Casanova

Henry Ford

The Last Channel

Implosion

Nothing and Not Much

Preface

Italo Calvino began writing in his teens: short stories, fables, poetry and plays. The theatre was his first vocation and perhaps the one that he spent most time on. There are many surviving works from this period which have never been published. Calvino's extraordinary capacity for self-criticism and self-referential analysis soon led him to give up the theatre. In a letter to his friend Eugenio Scalfari written in 1945 he announces laconically, Tve switched to stories.’ Written in capitals and covering a whole page the news must have been important indeed.

From then on there was never a period when Calvino was not writing. He wrote every day, wherever he was and in whatever circumstances, at a table or on his knee, in planes or hotel rooms. It is not

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