O Jerusalem - Laurie R. King [50]
The people obviously knew of the war’s conclusion, but not in detail, and it was detail he gave them. His audience sighed at the first mention of the name of Allenby, the conquering hero whose very name transliterated into Arabic reads “to the Prophet.” Mahmoud told of the fulfilling of prophecy, when the ancient tradition declaring that the Holy Land would be free of the infidel only when the waters of the Nile flowed into Jerusalem was realised, transformed from a declaration of hopelessness into actual truth when the British Army supplied water to the city, carried on the backs of a regiment of camels from its source in the Nile. He went on to tell of heroic fighting, of small groups holding off armies, of a single man who crept across a hill, invisible as a rock, to destroy the huge gun flinging shells across the miles at the distant British troops.
Each of his episodes drew admiring remarks and much sucking in of breath from the audience, murmurs and exclamations of “Wa!” during the telling, and wagging of heads coupled with laughter at each conclusion.
The greatest applause came, however, with the story of Allenby’s deception of the Turks and their German advisers. With his hands in the air Mahmoud sketched the land north of Jerusalem, his left hand describing the sea and Haifa while his right hand drew the Ghor, or Jordan Valley, that hot, miserable, malarial lowlands that separates Palestine from the vast deep desert to the east. Here Allenby had laid out his greatest trick: He would convince the enemy that he was about to strike out on his right, directly across the Jordan, whereas in reality he planned to attack on his left, circling down on them from their western flank through the Valley of Jezreel, that is known as Megiddo, or Armageddon.
Mahmoud built his story with growing drama, beginning in Jerusalem, when the Fast Hotel near the Jaffa Gate was confiscated for army use and advisers in high-ranking uniforms openly filled the town, sure signs to the Turkish spies that Allied headquarters was moving to be near the river Jordan. He then described the stealthy moving in of troops on the left flank, always at night, only into tents that had already been in position for months. When he described the false messages given to spies, his audience began to nod in appreciation, guile being a truer sign of wit than mere cleverness was.
When he launched into a detailed description of the ostensible troop movements on the Jordan itself, however, the villagers began to grin in gap-toothed appreciation at a commander who would cause lorries to drag logs up and down, raising the dust of great activity, and who would direct whole regiments to march conspicuously into the eastern lines during the heat of the day, only to have them travel quietly west again under cover of darkness to. their starting point. Out and back went the decoy soldiers, openly out to and secretly back from the Jordan Valley, a relatively few men giving the impression of a massive build-up of strength. Tent cities were planted and five pontoon bridges thrown across the Jordan while “El Aurens”—Colonel T. E. Lawrence—and his camel Bedu staged spectacular raids nearby.
But it was the fake horse lines that had Mahmoud’s listeners rolling on the carpets with tears in their eyes: twenty thousand old blankets shipped up from Egypt and draped over shrubs, some of them propped up on wooden legs, from a dusty distance taking on the appearance of a massive accumulation of tethered cavalry horses.
The Turks fell for the entire ruse, supported by their German advisers, who believed the reports of their misled spies. The Turkish empire lined up the strength of its men and guns at the eastern borders of Palestine, ready to counter the attack out of Jerusalem; when Allenby threw his true forces instead onto their unprepared western flank, the Turks had not a chance. He swept them up, took