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By Root 2215 0

come, they go on for three or four weeks; the evenings are warm and the nights are close. The stars twinkle in such a kindly and friendly way from the sky. If rain comes, it is such a beneficent summer rain! It falls briskly, abundantly, splashing along merrily like the big, warm tears of a man overcome with sudden joy; and as soon as it stops the sun once more looks down with a bright smile of love on the hills and fields and dries them; and the whole countryside responds to the sun with a happy smile. The peasant welcomes the rain joyfully. ‘The rain will wet me and the sun will dry me,’ he says, holding up delightedly his face, shoulders, and back to the warm shower. Thunderstorms are not a menace but a blessing there; they always occur at the appointed times, hardly ever missing St Elijah’s day on the second of August, as though to confirm the well-known legend among the people. The strength and number of thunder-claps also seem to be the same each year, as though a definite amount of electricity had been allotted annually for the whole place. Terrible storms, bringing devastation in their wake, are unheard-of in those parts, and no report of them has ever appeared in the newspapers. And nothing would ever have been published about that thrice-blessed spot had not a twenty-eight-year-old peasant widow, Marina Kulkov, given birth to quadruplets, an event the Press could not possibly have ignored.

The Lord has never visited those parts either by Egyptian or ordinary plagues. No one of the inhabitants has ever seen or remembered any terrible heavenly signs, fiery balls, or sudden darkness; there are no poisonous snakes there; locusts do not come; there are no roaring lions, nor growling tigers, nor even bears nor wolves, because there are no forests. Only ruminating cows, bleating sheep, and cackling hens walk about the villages and fields in vast numbers.

It is hard to say whether a poet or a dreamer would have been pleased with nature in this peaceful spot. These gentlemen, as everyone knows, love to gaze at the moon and listen to the song of the nightingale. They love the coquette-moon when she dresses up in amber clouds and peeps mysteriously through the branches or flings sheaves of silvery beams into the eyes of her admirers. But in that country no one has even heard of the moon being anything but an ordinary moon. It stares very good-naturedly at the villages and the fields, looking very like a polished brass basin. The poet would have looked at her in vain with eyes of rapture; she gazes as good-naturedly at a poet as does a round-faced village beauty in response to the eloquent and passionate glances of a city philanderer.

There are no nightingales in those parts, either – perhaps because there are no shady nooks and roses there. But what an abundance of quail! At harvest time in the summer boys catch them with their hands. Do not imagine, however, that quail are regarded there as a gastronomic luxury – no, the morals of the inhabitants had not been corrupted to that extent: a quail is a bird which is not mentioned in the dietary rules. In that part of the country it delights the ear with its singing; that is why almost every house has a quail in a string cage under the roof.

The poet and dreamer would have remained dissatisfied by the general appearance of that modest and unpretentious district. They would never have succeeded in seeing an evening in the Swiss or Scottish style, when the whole of nature – the woods, the river, the cottage walls, and the sandy hills – is suffused by the red glow of the sunset, against which is set off a cavalcade of gentlemen, riding on a twisting, sandy road after having escorted a lady on a trip to some gloomy ruin and now returning at a smart pace to a strong castle, where an ancient native would tell them a story about the Wars of the Roses and where, after a supper of wild goat’s meat, a young girl would sing them a ballad to the accompaniment of a lute – scenes with which the pen of Walter Scott has so richly filled our imagination. No, there is nothing like that