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Oblomov - Ivan Goncharov [66]

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like a thin quill; but it, too, was extinguished. Objects lost their shapes: at first everything was merged into a grey, and then into a black, mass. The birds gradually stopped singing; soon they fell silent altogether, except one, which, as though in defiance of the rest, went on chirping monotonously amid the general silence and at intervals which were getting longer and longer till, finally, it gave one last low whistle, slightly rustled the leaves round it, and fell asleep. All was silent. Only the grasshoppers chirped louder than ever. White mists rose from the ground and spread over the meadows and the river. The river, too, grew quieter; a few more moments and something splashed in it for the last time, and it grew motionless. There was a smell of damp in the air. It grew darker and darker. The trees began to look like groups of monsters; the woods were full of nameless terrors; someone suddenly moved about there with a creaking noise, as though one of the monsters shifted from one place to another, a dead twig cracking under its foot. The first star, like a living eye, gleamed brightly in the sky, and lights appeared in the windows of the house.

It was the time of solemn and universal stillness in nature, a time when the creative mind is most active, when poetic thoughts are fanned into flames, when passion burns more brightly or anguish is felt more acutely in the heart, when the seed of a criminal design ripens more imperturbably and more strongly in the cruel heart, and when everybody in Oblomovka is once more peacefully and soundly asleep.

‘Let’s go for a walk, Mummy,’ said Oblomov.

‘Good heavens, child,’ she replied, ‘go for a walk at this hour! It’s damp, you’ll get your feet wet, and it’s so frightening: the wood-demon is walking about in the woods now, carrying off little children.’

‘Where to? What is he like? Where does he live?’ the little boy asked.

And his mother gave full rein to her unbridled fancy. The boy listened to her, opening and closing his eyes, till at last he was overcome by sleep. The nurse came and, taking him from his mother’s lap, carried him off to bed asleep, his head hanging over her shoulder.

‘Well, thank goodness, another day gone,’ the Oblomovka inhabitants said, getting into bed, groaning, and crossing themselves. ‘We’ve lived through it safely, God grant it may be the same to-morrow! Praise be unto thee, O Lord!’

Then Oblomov dreamt of another occasion: one endless winter evening he was timidly pressing closely to his nurse, who was whispering a fairy-story to him about some wonderful country where there was no night and no cold, where all sorts of miracles happened, where the rivers flowed with milk and honey, where no one did a stroke of work all the year round, and fine fellows, like Oblomov, and maidens more beautiful than words can tell did nothing but enjoy themselves all day long. A fairy godmother lived there, who sometimes took the shape of a pike and who chose for her favourite some quiet and harmless man – in other words, some loafer, ill-treated by everyone, and for no reason in the world, bestowed all sorts of treasures on him, while he did nothing but eat and drink and dressed in costly clothes, and then married some indescribable beauty, Militrissa Kirbityevna. The little boy listened breathlessly to the story, pricking up his ears, and his eyes glued to his nurse’s face. The nurse or the traditional tale so artfully avoided every reference to reality that the child’s imagination and intellect, having absorbed the fiction, remained enslaved by it all his life. The nurse told him good-humouredly the story of Yemelya-the-Fool, that wickedly insidious satire on our forefathers and, perhaps, on ourselves too. Though when he grew up Oblomov discovered that there were no rivers flowing with milk and honey, nor fairy godmothers, and though he smiled at his nurse’s tales, his smile was not sincere, and it was accompanied by a secret sigh: the fairy-tale had become mixed up with real life in his mind, and sometimes he was sorry that fairy-tale was not

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