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Occult America_ The Secret History of How Mysticism Shaped Our Nation - Mitch Horowitz [74]

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Peterborough, Ontario, on March 18, 1901, to a father who was a dentist and a mother who was a chiropractor. Hall’s parents had separated while his mother was still pregnant, and the infant soon came into the care of his maternal grandmother. When the boy was two years old, Florence Palmer brought him to Sioux Falls, South Dakota, where they lived for several years. It could only have been a lonely existence: A sickly child, Hall saw little formal schooling and spent long hours reading voraciously on his own. His contact with other children was limited. But there was a spark of some indefinable brilliance in the youth, which his grandmother nurtured on trips to museums in Chicago and New York.

For a time, the boy and his grandmother lived in a high-end Chicago hotel, Palmer House, which was owned by relatives. There, Hall was mostly in the company of grown-ups, including a traditionally garbed Hindu maître d’hôtel, who taught him adult etiquette. Later on, the bookish adolescent was enrolled—briefly, to his almost certain relief—in a military school.

Tragedy struck early: His grandmother died when he was sixteen. He traveled to California to be with his mother and came under the influence of a self-styled Rosicrucian community in Oceanside, California. He lived at the Rosicrucian Fellowship, where he formed close relationships but also grew suspicious of the order’s claims to ancient wisdom. Soon he moved on his own to Los Angeles, where he fell in with metaphysical seekers and discussion groups. In 1920, Hall began a precocious career in public speaking, giving an address on reincarnation in a small room above a Santa Monica bank. Word spread of the boy wonder’s mastery of arcane and metaphysical subject matter. He began addressing a liberal evangelical congregation called the Church of the People, and quickly rose to the rank of minister.

In 1923, the Los Angeles Times seemed positively smitten with the twenty-two-year-old, covering his lectures and sermons in several articles. “He is tall,” the Times reported on May 28, “with unusually broad shoulders—football shoulders—but he wears his curly, dark brown hair bobbed like a girl’s, and even his face and eyes convey an almost feminine impression.” In a practice that he would maintain for the rest of his life, the youth lectured from a wooden mission-style chair, enrapturing his listeners without physical movement or gesticulation. He promoted classical ethics as a balm for the torpor of contemporary life. “Let us remember, also,” the young idealist told congregants,

that our main problem with the criminal is to seek to adjust his motives and mode of thinking so that the same force and persistence which he uses to accomplish evil deeds will be turned to the accomplishment of worthy purposes.… Our hard pavements and stool lunch counters have a tendency, by playing havoc with the nervous constitution of man, to produce thieves, libertines, and murderers.

Hall had already begun attracting benefactors and traveling abroad in search of lost knowledge. Yet his early letters from Japan, Egypt, China, and India were, in many respects, ordinary. They contained little of the eye-opening detail or wonder of discovery that one finds in the writings of other early-twentieth-century seekers encountering the East for the first time, such as legendary British soldier and writer T. E. Lawrence.

Like a bolt from the blue, however, a short work of immense power emerged from the young Hall—a book that seemed to prefigure the greater work that would come. In 1922, Hall produced a brief, luminescent gem on the mystery schools of antiquity, Initiates of the Flame. With ease and gracefulness, Hall wrote across a spectrum of subjects, describing Egyptian rites, Arthurian myths, and the practices of alchemy, revealing the psychological underpinnings of arcane methods. “Man has been an alchemist from the time when first he raised himself,” Hall wrote. “… Experiences are the chemicals of life with which the philosopher experiments.”

The book inaugurated Hall’s collaboration with illustrator

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