Okewood of the Secret Service [2]
of Potter at this time, of night... and a stranger is sure to mix up my, wigs and things..."
"Why, daddy, I'm going with you to put out your things..."
"But a lady clerk in the War Office, Barbara... a Government official, as you might say... go behind at a music-hall... it don't seem proper right. my dear!"
"Nonsense, Mac. Where Is your theatre? Come along. We'll have to try and get a taxi!"
"They're sending a car at ten to nine, my dear!"
"Good gracious! what swells we are! And it's half-past eight already! Who is on the bill with you?"
"My dear, I haven't an idea... I'm not very well up in the London programmes' I'm afraid... but it is sure to be a good programme. The Palaceum is the only house that's had the courage to break away from this rotten revue craze!"
Barbara was in the hall now, her arms plunged to the shoulder in a great basket trunk that smelt faintly of cocoa-butter. Right and left she flung coats and hats and trousers and band parts, selecting with a sure eye the properties which Mr. Mackwayte would require for the sketches he would play that evening. In the middle of it all the throbbing of a car echoed down the quiet road outside. Then there came a ring at the front door.
* * * * * *
At half-past nine that night, Barbara found herself standing beside her father in the wings of the vast Palaceum stage. Just at her back was the little screened-off recess where Mr. Mackwayte was to make the quick changes that came in the course of his turn. Here, since her arrival in the theatre, Barbara had been busy laying out coats and hats and rigs and grease-paints on the little table below the mirror with its two brilliant electric bulbs, whilst Mr. Mackwayte was in his dressing-room upstairs changing into his first costume.
Now, old Mackwayte stood at her elbow in his rig-out as an old London bus-driver in the identical, characteristic clothes which he had worn for this turn for the past 25 years. He was far too old a hand to show any nervousness he might feel at the ordeal before him. He was chatting in undertones in his gentle, confidential way to the stage manager.
All around them was that curious preoccupied stillness hush of the power-house which makes the false world of the stage so singularly unreal by contrast when watched from the back. The house was packed from floor to ceiling, for the Palaceum's policy of breaking away from revue and going back to Mr. Mackwayte called "straight vaudeville" was triumphantly justifying itself.
Standing in the wings, Barbara could almost feel the electric current running between the audience and the comedian who, with the quiet deliberation of the finished artist, was going through his business on the stage. As he made each of his carefully studied points, he paused, confident of the vast rustle of laughter swelling into a hurricane of applause which never failed to come from the towering tiers of humanity before him, stretching away into the roof where the limelights blazed and spluttered. Save for the low murmur of voices at her side, the silence behind the scenes was absolute. No one was idle. Everyone was at his post, his attention concentrated on that diminutive little figure in the ridiculous clothes which the spot-lights tracked about the stage.
It was the high-water mark of modern music-hall development. The perfect smoothness of the organization gave Barbara a great feeling of contentment for she knew how happy her father must be. Everyone had been so kind to him. "I shall feel a stranger amongst the top-liners of today, my dear," he had said to her in the car on their way to the hall. She had had no answer ready for she had feared he spoke the truth.
Yet everyone they had met had tried to show them that Arthur Mackwayte was not forgotten. The stage-door keeper had known him in the days of the old Aquarium and welcomed him by name. The comedian who preceded Mr. Mackwayte and who was on the stage at that moment had said, "Hullo, Mac! Come to give us young 'uns some tips?" And even now the stage
"Why, daddy, I'm going with you to put out your things..."
"But a lady clerk in the War Office, Barbara... a Government official, as you might say... go behind at a music-hall... it don't seem proper right. my dear!"
"Nonsense, Mac. Where Is your theatre? Come along. We'll have to try and get a taxi!"
"They're sending a car at ten to nine, my dear!"
"Good gracious! what swells we are! And it's half-past eight already! Who is on the bill with you?"
"My dear, I haven't an idea... I'm not very well up in the London programmes' I'm afraid... but it is sure to be a good programme. The Palaceum is the only house that's had the courage to break away from this rotten revue craze!"
Barbara was in the hall now, her arms plunged to the shoulder in a great basket trunk that smelt faintly of cocoa-butter. Right and left she flung coats and hats and trousers and band parts, selecting with a sure eye the properties which Mr. Mackwayte would require for the sketches he would play that evening. In the middle of it all the throbbing of a car echoed down the quiet road outside. Then there came a ring at the front door.
* * * * * *
At half-past nine that night, Barbara found herself standing beside her father in the wings of the vast Palaceum stage. Just at her back was the little screened-off recess where Mr. Mackwayte was to make the quick changes that came in the course of his turn. Here, since her arrival in the theatre, Barbara had been busy laying out coats and hats and rigs and grease-paints on the little table below the mirror with its two brilliant electric bulbs, whilst Mr. Mackwayte was in his dressing-room upstairs changing into his first costume.
Now, old Mackwayte stood at her elbow in his rig-out as an old London bus-driver in the identical, characteristic clothes which he had worn for this turn for the past 25 years. He was far too old a hand to show any nervousness he might feel at the ordeal before him. He was chatting in undertones in his gentle, confidential way to the stage manager.
All around them was that curious preoccupied stillness hush of the power-house which makes the false world of the stage so singularly unreal by contrast when watched from the back. The house was packed from floor to ceiling, for the Palaceum's policy of breaking away from revue and going back to Mr. Mackwayte called "straight vaudeville" was triumphantly justifying itself.
Standing in the wings, Barbara could almost feel the electric current running between the audience and the comedian who, with the quiet deliberation of the finished artist, was going through his business on the stage. As he made each of his carefully studied points, he paused, confident of the vast rustle of laughter swelling into a hurricane of applause which never failed to come from the towering tiers of humanity before him, stretching away into the roof where the limelights blazed and spluttered. Save for the low murmur of voices at her side, the silence behind the scenes was absolute. No one was idle. Everyone was at his post, his attention concentrated on that diminutive little figure in the ridiculous clothes which the spot-lights tracked about the stage.
It was the high-water mark of modern music-hall development. The perfect smoothness of the organization gave Barbara a great feeling of contentment for she knew how happy her father must be. Everyone had been so kind to him. "I shall feel a stranger amongst the top-liners of today, my dear," he had said to her in the car on their way to the hall. She had had no answer ready for she had feared he spoke the truth.
Yet everyone they had met had tried to show them that Arthur Mackwayte was not forgotten. The stage-door keeper had known him in the days of the old Aquarium and welcomed him by name. The comedian who preceded Mr. Mackwayte and who was on the stage at that moment had said, "Hullo, Mac! Come to give us young 'uns some tips?" And even now the stage