Old Filth - Jane Gardam [38]
They departed, their car’s rear window nearly covered by patriotic slogans. Careless talk costs lives, he read. He wandered through the house.
There were brass urns full of ferns and an ironwood table topped with a brass disc engraved with dancing Orientals. In a sitting-room were crowds of family photographs. Odd, he thought. He was family but they had shown no interest in him since he was eight. He wondered if photographs were substitutes for hospitality. Looking around, he saw no photographs at all of children. And nobody who could possibly have been his mother. He had no idea what she had looked like. Most of the photographs were of people a generation older than his aunts, bearded or braided, sepia, stern and sad. Beside them, were other photographs and more fern in brass containers. On a table by themselves were golfing trophies and a silver cup engraved Hole in One, Hilda Feathers. There was a magnificent fireplace of wood and tiles, with a shiny clock with icicle pointers let into the chimneypiece. Instead of coals there was a pleated fan of paper, and in the hearth a miracle of barbola work covered in thonged parchment and filled with newspaper spills to save matches.
Then he saw, on the mantelpiece, a photograph of a dazzling young man in open-necked khaki shirt and shorts, arms crossed and a cigarette burning nonchalantly in one hand, and, on the other wrist, a big, beautiful, seductive gold watch. On his head, an army beret without a badge, like a Frenchman, and eyes dark, wise, amused and most beautiful. On the silver frame was engraved Alistair, 1914, and there was a little jug of flowers arranged beside it, as if the photograph was of a dead man, or like a funeral bunch upon a grave. Flowers for the dead. But this was his father. No doubt of it. Eddie knew.
And his father was alive enough to have sent for him, to get him out of another set-piece of butchery like the one that had all but extinguished him and his country in 1914.
Eddie picked up the photograph and felt pride. He wanted it. He’d nick it. It was his. He wished Pat could see it, or the vile Isobel. Had Colonel Ingoldby really known his father? Why hadn’t he ever said anything about him? His father’s wonderful face, a poet’s face, he thought, and with an exciting hint in it of his own. It occurred to him that he must write again, after years, to his father.
And now. Write now.
He turned to the writing desk—brasses galore (The Snake and His Boy, a row of ugly monkeys)—and searched around for writing paper, found his own fountain pen, stared at the laurels outside the window, the bald lawn, the grey street. The gate flung open. No Hawkers or Circulars nailed to it on a plaque.
Dear Father
I am at Aunt Muriel’s having left school this morning for half-term or, for all I know, for good. I only heard this week that I’m to leave school and come out to you. I wish you could have written to me about it. The Head says they’ve been discussing it with you for some time, and Aunt Hilda says my passport will be ready by Christmas. I’m seventeen and shall soon be eighteen. It is ten years since you saw me and I’ve had nothing from you of any kind except I suppose all my expenses have been paid and I’m told there is a bank-book for me sometime soon. So thank you for that.
But our last meeting was so horrible and unhappy and I wish you could have written, even once, years ago, to put that right.
Nobody had told me that you have a stammer and nobody had probably told you that I had one then (Sir cured mine) and I think [the pen began to take on a most uncharacteristic volition of its own] that I tried just to forget you. The Ingoldbys were so kind. Just now I’ve seen a photograph of you on the mantelpiece here at the aunts—first time I’ve seen them since you were here when I was eight—taken