On the Road - Jack Kerouac [76]
We got back to the girls an hour late and of course they were mad. Ed and Galatea had decided to get a room in New Orleans and stay there and work. This was okay with Bull, who was getting sick and tired of the whole mob. The invitation, originally, was for me to come alone. In the front room, where Dean and Marylou slept, there were jam and coffee stains and empty benny tubes all over the floor; what’s more it was Bull’s workroom and he couldn’t get on with his shelves. Poor Jane was driven to distraction by the continual jumping and running around on the part of Dean. We were waiting for my next GI check to come through; my aunt was forwarding it. Then we were off, the three of us—Dean, Marylou, me. When the check came I realized I hated to leave Bull’s wonderful house so suddenly, but Dean was all energies and ready to do.
In a sad red dusk we were finally seated in the car and Jane, Dodie, little boy Ray, Bull, Ed, and Galatea stood around in the high grass, smiling. It was good-by. At the last moment Dean and Bull had a misunderstanding over money; Dean had wanted to borrow; Bull said it was out of the question. The feeling reached back to Texas days. Con-man Dean was antagonizing people away from him by degrees. He giggled maniacally and didn’t care; he rubbed his fly, stuck his finger in Marylou’s dress, slurped up her knee, frothed at the mouth, and said, “Darling, you know and I know that everything is straight between us at last beyond the furthest abstract definition in metaphysical terms or any terms you want to specify or sweetly impose or harken back ...” and so on, and zoom went the car and we were off again for California.
8
What is that feeling when you’re driving away from people and they recede on the plain till you see their specks dispersing? —it’s the too-huge world vaulting us, and it’s good-by. But we lean forward to the next crazy venture beneath the skies.
We wheeled through the sultry old light of Algiers, back on the ferry, back toward the mud-splashed, crabbed old ships across the river, back on Canal, and out; on a two-lane highway to Baton Rouge in purple darkness; swung west there, crossed the Mississippi at a place called Port Allen. Port Allen—where the river’s all rain and roses in a misty pinpoint darkness and where we swung around a circular drive in yellow foglight and suddenly saw the great black body below a bridge and crossed eternity again. What is the Mississippi River?—a washed clod in the rainy night, a soft plopping from drooping Missouri banks, a dissolving, a riding of the tide down the eternal waterbed, a contribution to brown foams, a voyaging past endless vales and trees and levees, down along, down along, by Memphis, Greenville, Eudora, Vicksburg, Natchez, Port Allen, and Port Orleans and Port of the Deltas, by Potash, Venice, and the Night’s Great Gulf, and out.
With the radio on to a mystery program, and as I looked out the window and saw a sign that said USE COOPER’S PAINT and I said, “Okay, I will.” we rolled across the hoodwink night of the Louisiana plains—Lawtell, Eunice, Kinder, and De Quincy, western rickety towns becoming more bayou-like as we reached the Sabine. In Old Opelousas I went into a grocery store to buy bread and cheese while Dean saw to gas and oil. It was just a shack; I could hear the family eating supper in the back. I waited a minute; they went on talking. I