One Fifth Avenue - Candace Bushnell [163]
Paul just stared, but Craig nodded enthusiastically. Sandy, sensing an audience for not only admiration but awe, opened the safe.
Connie had done what Billy had asked. She had put the cross away—into the safe in Sandy’s study—so she could visit it anytime she liked. Nevertheless, she’d managed to keep the cross a secret. Sandy, however, was a different story. When Billy first came to him with the opportunity to buy the cross, Sandy hadn’t thought much about it, considering it nothing more than another piece of old jewelry his wife wanted to acquire. Connie told him that the piece was important, a true antiquity, but Sandy hadn’t paid attention until that evening with David Porshie. David approached art on a whole different level. After returning home that evening, Sandy had examined the cross again with Connie and began to understand its value, but was more taken by the coup he’d scored in obtaining it at all. It was something no one else had, and unable to keep this spectacular possession to himself, he had taken to bringing one or two select guests into his study after dinner to show it off.
Now, untying the black cords that bound the artifact in its soft suede wrappings, he said, “Here’s something you won’t see every day. In fact, it’s so rare, you won’t even find it in a museum.” Holding up the cross, he allowed Craig and Paul to examine it.
“Where do you get a piece like that?” Craig Akio asked, his eyes glittering.
“You can’t,” Sandy Brewer said, wrapping up the cross and replacing it in the safe. He sucked on his cigar. “A piece like that finds you. Not unlike you finding us, Craig.” Sandy turned to Paul, blowing smoke in his direction. “Paul, I’ll expect you to teach Craig everything you know. You’ll be working together closely. At least at first.”
It was that last sentence that woke Paul up—“At least at first.” And then what? He suddenly saw that Sandy meant for him to train Craig; once he’d accomplished this task, Sandy would fire him. There was no need for two men to do his job. Indeed, it was impossible, as the work was secretive, instinctive, and off-the-cuff. All at once he felt as if he were on fire and, standing up, asked for water.
“Water?” Sandy barked dismissively. “I hope you’re not turning into a lightweight.”
“I’m going home,” Paul said.
He left Sandy’s apartment, fuming. How long would it be before Sandy dismissed him from his job? Crossing the sidewalk, he got into the back of the chauffeured Bentley and slammed the door. Would he lose the car as well? Would he lose everything? At the moment, he couldn’t keep up his lifestyle or even his apartment without his job. Yes, technically, he had plenty of money, but it fluctuated on a daily basis, flitting up and down and, like the pot of gold at the end of a rainbow, was impossible to pin down. He had to wait for exactly the right moment to make a killing, at which point he could cash out with what could be a billion dollars.
Unable to stop thinking about Sandy and how Sandy planned to ruin him, Paul spent the next thirty-six hours in his apartment in a panic. By Sunday morning, even his fish couldn’t soothe him, and Paul decided to take a walk around the neighborhood. On the table in the foyer, he found The New York Times. Without thinking, he spread it open on the living room rug and began turning the pages. And then he found the answer to his problem with Sandy on the cover of the arts section.
It was a story—complete with photographs taken from a portrait of Queen Mary—about the unsolved mystery of the Cross of Bloody Mary. Having met the Brewers and suspecting that Sandy fit the profile of an art thief, David Porshie had arranged the story, thinking it might draw out someone who had information on the cross.
Now, reading the story while squatting on his haunches, Paul Rice put two and two together. He