One Fifth Avenue - Candace Bushnell [168]
He could at least knock himself out. He took two Vicodins, two Xanaxes, and one of each kind of sleeping pill. Within minutes, he was asleep in a vibrant, multicolored dream that seemed to go on forever.
Enid Merle was one of the first people to hear about Sandy Brewer’s arrest. A reporter from the paper who was on the scene called her immediately. As yet, all the facts weren’t in, and the conclusion was that Sandy had somehow managed to buy the cross from Mrs. Houghton, who had stolen it from the Met. This allegation, Enid knew, was false. While it was true that Louise had possessed the cross, Enid guessed that she hadn’t taken it from the Met but from Flossie Davis. Flossie had always been the obvious culprit, but what had never made sense to Enid was why Louise hadn’t returned the cross to the Met in the first place. Instead, she’d kept both the cross and the secret, protecting Flossie from being punished for her criminal act. Louise was a devout Catholic; perhaps a moral imperative had prevented her from revealing Flossie’s crime.
Or perhaps, Enid thought, there was another reason. Maybe Flossie had something on Louise. Enid should have gotten to the bottom of this mystery long ago, but she’d never considered it important enough. At the moment, there wasn’t time. She had a column due, and since it concerned Louise Houghton, she would have to write it herself.
Enid looked through several printed pages of research on Sandy and Connie Brewer. The story wasn’t of much importance in the larger world—certainly nowhere near the impact of a presidential election, or the innocent murder of civilians caught in a war, or all and any of the insults and indignities suffered by the common man. It was only about New York “society.” And yet, she reminded herself, the desire for some kind of society was an innate human trait, for without it, there could be no hope of civilized man. Picking out a clip of an article from Vanity Fair written about Connie Brewer and her fabulous country house in the Hamptons, Enid wondered if it was possible to have a desire for too much society. The Brewers had everything in life—four children, a private plane, no worries. But it wasn’t enough, and now the children’s daddy might be going to jail. It was ironic that Sandy Brewer and Mrs. Enid Houghton should end up in the same sentence. If Mrs. Houghton had been alive, she never would have acknowledged an arriviste like Sandy. Enid sat back in her chair. There was a big chunk of the story missing, but her column was due in four hours. Positioning her hands above the keyboard, she wrote, “Louise Houghton was a good friend of mine.”
Eight hours later, Billy Litchfield woke up in his claw-footed bathtub. Checking his arms and legs, he was surprised to find himself still very much alive—and inexplicably exultant. It was the middle of the night; nevertheless, he felt an overwhelming desire to hear David Bowie. Sliding a CD into the machine, he thought, Why not? and decided to play the entire four hours of a two-CD set spanning Bowie’s career from 1967 to 1993. As Billy listened, he walked around his apartment, dancing occasionally on the worn wooden floors in his bare feet, and flinging his paisley robe around his body like a cape. Then he started looking at photographs. He had hundreds of framed photographs in his apartment—hung on the walls, lined up on the mantelpiece, piled on top of books, and packed into drawers. While he was looking at his photographs, he thought he might as well play all his CDs. During the next twenty hours, he sensed that either his cell phone or land line was ringing again, but he didn’t answer either one. He took more pills and at some point discovered that he’d consumed nearly a whole bottle of vodka. Then he found an old bottle of