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One Flew Over the Cuckoo's Nest - Ken Kesey [54]

By Root 1243 0

“Snake eyes? Hoooeee, Cheswicker, where does that put you? That don’t put you on my Marvin Gardens by any chance? That don’t mean you have to pay me, let’s see, three hundred and fifty dollars?”

“Boogered.”

“What’s thum other things? Hold it a minute. What’s thum other things all over the board?”

“Martini, you been seeing them other things all over the board for two days. No wonder I’m losing my ass. McMurphy, I don’t see how you can concentrate with Martini sitting there hallucinating a mile a minute.”

“Cheswick, you never mind about Martini. He’s doing real good. You just come on with that three fifty, and Martini will take care of himself; don’t we get rent from him every time one of his ‘things’ lands on our property?”

“Hold it a minute. There’s so many of thum.”

“That’s okay, Mart. You just keep us posted whose property they land on. You’re still the man with the dice, Cheswick. You rolled a double, so you roll again. Atta boy. Faw! a big six.”

“Takes me to…Chance: ‘You Have Been Elected Chairman of the Board; Pay Every Player—’ Boogered and double boogered!”

“Whose hotel is this here for Christsakes on the Reading Railroad?”

“My friend, that, as anyone can see, is not a hotel; it’s a depot.”

“Now hold it a minute—”

McMurphy surrounds his end of the table, moving cards, rearranging money, evening up his hotels. There’s a hundred-dollar bill sticking out of the brim of his cap like a press card; mad money, he calls it.

“Scanlon? I believe it’s your turn, buddy.”

“Gimme those dice. I’ll blow this board to pieces. Here we go. Lebenty Leben, count me over eleven, Martini.”

“Why, all right.”

“Not that one, you crazy bastard; that’s not my piece, that’s my house.”

“It’s the same color.”

“What’s this little house doing on the Electric Company?”

“That’s a power station.”

“Martini, those ain’t the dice you’re shaking—”

“Let him be; what’s the difference?”

“Those are a couple of houses!”

“Faw. And Martini rolls a big, let me see, a big nineteen. Good goin’, Mart; that puts you—Where’s your piece, buddy?”

“Eh? Why here it is.”

“He had it in his mouth, McMurphy. Excellent. That’s two moves over the second and third bicuspid, four moves to the board, which takes you on to—to Baltic Avenue, Martini. Your own and only property. How fortunate can a man get, friends? Martini has been playing three days and lit on his property practically every time.”

“Shut up and roll, Harding. It’s your turn.”

Harding gathers the dice up with his long fingers, feeling the smooth surfaces with his thumb as if he was blind. The fingers are the same color as the dice and look like they were carved by his other hand. The dice rattle in his hand as he shakes it. They tumble to a stop in front of McMurphy.

“Faw. Five, six, seven. Tough luck, buddy. That’s another o’ my vast holdin’s. You owe me—oh, two hundred dollars should about cover it.”

“Pity.”

The game goes round and round, to the rattle of dice and the shuffle of play money.

There’s long spells—three days, years—when you can’t see a thing, know where you are only by the speaker sounding overhead like a bell buoy clanging in the fog. When I can see, the guys are usually moving around as unconcerned as though they didn’t notice so much as a mist in the air. I believe the fog affects their memory some way it doesn’t affect mine.

Even McMurphy doesn’t seem to know he’s been fogged in. If he does, he makes sure not to let on that he’s bothered by it. He’s making sure none of the staff sees him bothered by anything; he knows that there’s no better way in the world to aggravate somebody who’s trying to make it hard for you than by acting like you’re not bothered.

He keeps up his high-class manners around the nurses and the black boys in spite of anything they might say to him, in spite of every trick they pull to get him to lose his temper. A couple of times some stupid rule gets him mad, but he just makes himself act more polite and mannerly than ever till he begins to see how funny the whole thing is—the rules, the disapproving looks they use to enforce the rules, the

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