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By Root 5540 0

before them--and followed after. It was superfluous and disintegrating in a world of hard facts. An army in which the men had meat for breakfast, and ate more every day than the French soldiers at the front got in a week! Their moving kitchens and supply trains were the wonder of France. Down below Arles, where her husband's sister had married, on the desolate plain of the Crau, their tinned provisions were piled like mountain ranges, under sheds and canvas. Nobody had ever seen so much food before; coffee, milk, sugar, bacon, hams; everything the world was famished for. They brought shiploads of useless things, too. And useless people. Shiploads of women who were not nurses; some said they came to dance with the officers, so they would not be ennuyes.

All this was not war,--any more than having money thrust at you by grown men who could not count, was business. It was an invasion, like the other. The first destroyed material possessions, and this threatened everybody's integrity. Distaste of such methods, deep, recoiling distrust of them, clouded the cheesewoman's brow as she threw her money into the drawer and turned the key on it.

As for the doughboys, having once stubbed their toes on the sunken step, they examined it with interest, and went in to explore the church. It was in their minds that they must not let a church escape, any more than they would let a Boche escape. Within they came upon a bunch of their shipmates, including the Kansas band, to whom they boasted that their Lieutenant could "speak French like a native."

The Lieutenant himself thought he was getting on pretty well, but a few hours later his pride was humbled. He was sitting alone in a little triangular park beside another church,, admiring the cropped locust trees and watching some old women who were doing their mending in the shade. A little boy in a black apron, with a close-shaved, bare head, came along, skipping rope. He hopped lightly up to Claude and said in a most persuasive and confiding voice

"Voulez-vous me dire l'heure, s'il vous plaît, M'sieu' l' soldat?"

Claude looked down into his admiring eyes with a feeling of panic. He wouldn't mind being dumb to a man, or even to a pretty girl, but this was terrible. His tongue went dry, and his face grew scarlet. The child's expectant gaze changed to a look of doubt, and then of fear. He had spoken before to Americans who didn't understand, but they had not turned red and looked angry like this one; this soldier must be ill, or wrong in his head. The boy turned and ran away.

Many a serious mishap had distressed Claude less. He was disappointed, too. There was something friendly in the boy's face that he wanted . . . that he needed. As he rose he ground his heel into the gravel. "Unless I can learn to talk to the CHILDREN of this country," he muttered, "I'll go home!"

II

Claude set off to find the Grand Hotel, where he had promised to dine with Victor Morse. The porter there spoke English. He called a red-headed boy in a dirty uniform and told him to take the American to vingt-quatre. The boy also spoke English. "Plenty money in New York, I guess! In France, no money." He made their way, through musty corridors and up slippery staircases, as long as possible, shrewdly eyeing the visitor and rubbing his thumb nervously against his fingers all the while.

"Vingt-quatre, twen'y-four," he announced, rapping at a door with one hand and suggestively opening the other. Claude put something into it--anything to be rid of him.

Victor was standing before the fireplace. "Hello, Wheeler, come in. Our dinner will be served up here. It's big enough, isn't it? I could get nothing between a coop, and this at fifteen dollars a day."

The room was spacious enough for a banquet; with two huge beds, and great windows that swung in on hinges, like doors, and that had certainly not been washed since before the war. The heavy red cotton-brocade hangings and lace curtains were stiff with dust, the thick carpet was strewn with cigarette-ends and matches. Razor blades and "Khaki Comfort" boxes lay about on the