Options [84]
of thirst because there was no more to drink."
That fitted Jacks, except that, instead of dying, he came to Paloma, which was about the same thing. He was a telegrapher and station- and express-agent at seventy-five dollars a month. Why a young man who knew everything and could do everything was content to serve in such an obscure capacity I never could understand, although he let out a hint once that it was as a personal favor to the president and stockholders of the S. P. Ry. Co.
One more line of description, and I turn Jacks over to you. He wore bright blue clothes, yellow shoes, and a bow tie made of the same cloth as his shirt.
My rival No.2 was Bud Cunningham, whose services had been engaged by a ranch near Paloma to assist in compelling refractory cattle to keep within the bounds of decorum and order. Bud was the only cowboy off the stage that I ever saw who looked like one on it. He wore the sombrero, the chaps, and the handkerchief tied at the back of his neck.
Twice a week Bud rode in from the Val Verde Ranch to sup at the Parisian Restaurant. He rode a many-high-handed Kentucky horse at a tremendously fast lope, which animal he would rein up so suddenly under the big mesquite at the corner of the brush shelter that his hoofs would plough canals yards long in the loam.
Jacks and I were regular boarders at the restaurant, of course.
The front room of the Hinkle House was as neat a little parlor as there was in the black-waxy country. It was all willow rocking- chairs, and home-knit tidies, and albums, and conch shells in a row. And a little upright piano in one comer.
Here Jacks and Bud and I--or sometimes one or two of us, according to our good-luck--used to sit of evenings when the tide of trade was over, and "visit" Miss Hinkle.
Ileen was a girl of ideas. She was destined for higher things (if there can be anything higher) than taking in dollars all day through a barbed-wire wicket. She had read and listened and thought. Her looks would have formed a career for a less ambitious girl; but, rising superior to mere beauty, she must establish something in the nature of a salon--the only one in Paloma.
"Don't you think that Shakespeare was a great writer?" she would ask, with such a pretty little knit of her arched brows that the late Ignatius Donnelly, himself, had he seen it, could scarcely have saved his Bacon.
Ileen was of the opinion, also, that Boston is more cultured than Chicago; that Rosa Bonheur was one of the greatest of women painters; that Westerners are more spontaneous and open-hearted than Easterners; that London must be a very foggy city, and that California must be quite lovely in the springtime. And of many other opinions indicating a keeping up with the world's best thought.
These, however, were but gleaned from hearsay and evidence: Ileen had theories of her own. One, in particular, she disseminated to us untiringly. Flattery she detested. Frankness and honesty of speech and action, she declared, were the chief mental ornaments of man and woman. If ever she could like any one, it would be for those qualities.
"I'm awfully weary," she said, one evening, when we three musketeers of the mesquite were in the little parlor, "of having compliments on my looks paid to me. I know I'm not beautiful."
(Bud Cunningham told me afterward that it was all he could do to keep from calling her a liar when she said that.)
"I'm only a little Middle-Western girl," went on Ileen, "who justs wants to be simple and neat, and tries to help her father make a humble living."
(Old Man Hinkle was shipping a thousand silver dollars a month, clear profit, to a bank in San Antonio.[)]
Bud twisted around in his chair and bent the rim of his hat, from which he could never be persuaded to separate. He did not know whether she wanted what she said she wanted or what she knew she deserved. Many a wiser man has hesitated at deciding. Bud decided.
"Why--ah, Miss Ileen, beauty, as you might say, ain't everything.
That fitted Jacks, except that, instead of dying, he came to Paloma, which was about the same thing. He was a telegrapher and station- and express-agent at seventy-five dollars a month. Why a young man who knew everything and could do everything was content to serve in such an obscure capacity I never could understand, although he let out a hint once that it was as a personal favor to the president and stockholders of the S. P. Ry. Co.
One more line of description, and I turn Jacks over to you. He wore bright blue clothes, yellow shoes, and a bow tie made of the same cloth as his shirt.
My rival No.2 was Bud Cunningham, whose services had been engaged by a ranch near Paloma to assist in compelling refractory cattle to keep within the bounds of decorum and order. Bud was the only cowboy off the stage that I ever saw who looked like one on it. He wore the sombrero, the chaps, and the handkerchief tied at the back of his neck.
Twice a week Bud rode in from the Val Verde Ranch to sup at the Parisian Restaurant. He rode a many-high-handed Kentucky horse at a tremendously fast lope, which animal he would rein up so suddenly under the big mesquite at the corner of the brush shelter that his hoofs would plough canals yards long in the loam.
Jacks and I were regular boarders at the restaurant, of course.
The front room of the Hinkle House was as neat a little parlor as there was in the black-waxy country. It was all willow rocking- chairs, and home-knit tidies, and albums, and conch shells in a row. And a little upright piano in one comer.
Here Jacks and Bud and I--or sometimes one or two of us, according to our good-luck--used to sit of evenings when the tide of trade was over, and "visit" Miss Hinkle.
Ileen was a girl of ideas. She was destined for higher things (if there can be anything higher) than taking in dollars all day through a barbed-wire wicket. She had read and listened and thought. Her looks would have formed a career for a less ambitious girl; but, rising superior to mere beauty, she must establish something in the nature of a salon--the only one in Paloma.
"Don't you think that Shakespeare was a great writer?" she would ask, with such a pretty little knit of her arched brows that the late Ignatius Donnelly, himself, had he seen it, could scarcely have saved his Bacon.
Ileen was of the opinion, also, that Boston is more cultured than Chicago; that Rosa Bonheur was one of the greatest of women painters; that Westerners are more spontaneous and open-hearted than Easterners; that London must be a very foggy city, and that California must be quite lovely in the springtime. And of many other opinions indicating a keeping up with the world's best thought.
These, however, were but gleaned from hearsay and evidence: Ileen had theories of her own. One, in particular, she disseminated to us untiringly. Flattery she detested. Frankness and honesty of speech and action, she declared, were the chief mental ornaments of man and woman. If ever she could like any one, it would be for those qualities.
"I'm awfully weary," she said, one evening, when we three musketeers of the mesquite were in the little parlor, "of having compliments on my looks paid to me. I know I'm not beautiful."
(Bud Cunningham told me afterward that it was all he could do to keep from calling her a liar when she said that.)
"I'm only a little Middle-Western girl," went on Ileen, "who justs wants to be simple and neat, and tries to help her father make a humble living."
(Old Man Hinkle was shipping a thousand silver dollars a month, clear profit, to a bank in San Antonio.[)]
Bud twisted around in his chair and bent the rim of his hat, from which he could never be persuaded to separate. He did not know whether she wanted what she said she wanted or what she knew she deserved. Many a wiser man has hesitated at deciding. Bud decided.
"Why--ah, Miss Ileen, beauty, as you might say, ain't everything.