Our Village [22]
falls on that sandy excavated bank, and touches the farmhouse on the top of the eminence! and how clearly defined and relieved is the figure of the man who is just coming down! It is poor John Evans, the gardener--an excellent gardener till about ten years ago, when he lost his wife, and became insane. He was sent to St. Luke's, and dismissed as cured; but his power was gone and his strength; he could no longer manage a garden, nor submit to the restraint, nor encounter the fatigue of regular employment: so he retreated to the workhouse, the pensioner and factotum of the village, amongst whom he divides his services. His mind often wanders, intent on some fantastic and impracticable plan, and lost to present objects; but he is perfectly harmless, and full of a childlike simplicity, a smiling contentedness, a most touching gratitude. Every one is kind to John Evans, for there is that about him which must be loved; and his unprotectedness, his utter defencelessness, have an irresistible claim on every better feeling. I know nobody who inspires so deep and tender a pity; he improves all around him. He is useful, too, to the extent of his little power; will do anything, but loves gardening best, and still piques himself on his old arts of pruning fruit-trees, and raising cucumbers. He is the happiest of men just now, for he has the management of a melon bed--a melon bed!--fie! What a grand pompous name was that for three melon plants under a hand-light! John Evans is sure that they will succeed. We shall see: as the chancellor said, 'I doubt.'
We are now on the very brow of the eminence, close to the Hill-house and its beautiful garden. On the outer edge of the paling, hanging over the bank that skirts the road, is an old thorn--such a thorn! The long sprays covered with snowy blossoms, so graceful, so elegant, so lightsome, and yet so rich! There only wants a pool under the thorn to give a still lovelier reflection, quivering and trembling, like a tuft of feathers, whiter and greener than the life, and more prettily mixed with the bright blue sky. There should indeed be a pool; but on the dark grass-plat, under the high bank, which is crowned by that magnificent plume, there is something that does almost as well,--Lizzy and Mayflower in the midst of a game at romps, 'making a sunshine in the shady place;' Lizzy rolling, laughing, clapping her hands, and glowing like a rose; Mayflower playing about her like summer lightning, dazzling the eyes with her sudden turns, her leaps, her bounds, her attacks, and her escapes. She darts round the lovely little girl, with the same momentary touch that the swallow skims over the water, and has exactly the same power of flight, the same matchless ease and strength and grace. What a pretty picture they would make; what a pretty foreground they do make to the real landscape! The road winding down the hill with a slight bend, like that in the High Street at Oxford; a waggon slowly ascending, and a horseman passing it at a full trot--(ah! Lizzy, Mayflower will certainly desert you to have a gambol with that blood-horse!) half-way down, just at the turn, the red cottage of the lieutenant, covered with vines, the very image of comfort and content; farther down, on the opposite side, the small white dwelling of the little mason; then the limes and the rope-walk; then the village street, peeping through the trees, whose clustering tops hide all but the chimneys, and various roofs of the houses, and here and there some angle of a wall; farther on, the elegant town of B----, with its fine old church-towers and spires; the whole view shut in by a range of chalky hills and over every part of the picture, trees so profusely scattered, that it appears like a woodland scene, with glades and villages intermixed. The trees are of all kinds and all hues, chiefly the finely-shaped elm, of so bright and deep a green, the tips of whose high outer branches drop down with such a crisp and garland-like richness, and the oak, whose stately form is just now so splendidly adorned by the sunny colouring
We are now on the very brow of the eminence, close to the Hill-house and its beautiful garden. On the outer edge of the paling, hanging over the bank that skirts the road, is an old thorn--such a thorn! The long sprays covered with snowy blossoms, so graceful, so elegant, so lightsome, and yet so rich! There only wants a pool under the thorn to give a still lovelier reflection, quivering and trembling, like a tuft of feathers, whiter and greener than the life, and more prettily mixed with the bright blue sky. There should indeed be a pool; but on the dark grass-plat, under the high bank, which is crowned by that magnificent plume, there is something that does almost as well,--Lizzy and Mayflower in the midst of a game at romps, 'making a sunshine in the shady place;' Lizzy rolling, laughing, clapping her hands, and glowing like a rose; Mayflower playing about her like summer lightning, dazzling the eyes with her sudden turns, her leaps, her bounds, her attacks, and her escapes. She darts round the lovely little girl, with the same momentary touch that the swallow skims over the water, and has exactly the same power of flight, the same matchless ease and strength and grace. What a pretty picture they would make; what a pretty foreground they do make to the real landscape! The road winding down the hill with a slight bend, like that in the High Street at Oxford; a waggon slowly ascending, and a horseman passing it at a full trot--(ah! Lizzy, Mayflower will certainly desert you to have a gambol with that blood-horse!) half-way down, just at the turn, the red cottage of the lieutenant, covered with vines, the very image of comfort and content; farther down, on the opposite side, the small white dwelling of the little mason; then the limes and the rope-walk; then the village street, peeping through the trees, whose clustering tops hide all but the chimneys, and various roofs of the houses, and here and there some angle of a wall; farther on, the elegant town of B----, with its fine old church-towers and spires; the whole view shut in by a range of chalky hills and over every part of the picture, trees so profusely scattered, that it appears like a woodland scene, with glades and villages intermixed. The trees are of all kinds and all hues, chiefly the finely-shaped elm, of so bright and deep a green, the tips of whose high outer branches drop down with such a crisp and garland-like richness, and the oak, whose stately form is just now so splendidly adorned by the sunny colouring