Our Village [40]
amongst the springs, and must turn back. Round this corner, where on ledges like fairy terraces the orchises and arums grow, and we emerge suddenly on a new side of the dell, just fronting the small homestead of our good neighbour Farmer Allen.
This rustic dwelling belongs to what used to be called in this part of the country 'a little bargain': thirty or forty acres, perhaps, of arable land, which the owner and his sons cultivated themselves, whilst the wife and daughters assisted in the husbandry, and eked out the slender earnings by the produce of the dairy, the poultry yard, and the orchard;--an order of cultivators now passing rapidly away, but in which much of the best part of the English character, its industry, its frugality, its sound sense, and its kindness might be found. Farmer Allen himself is an excellent specimen, the cheerful venerable old man with his long white hair, and his bright grey eye, and his wife is a still finer. They have had a hard struggle to win through the world and keep their little property undivided; but good management and good principles, and the assistance afforded them by an admirable son, who left our village a poor 'prentice boy, and is now a partner in a great house in London have enabled them to overcome all the difficulties of these trying times, and they are now enjoying the peaceful evenings of a well-spent life as free from care and anxiety as their best friends could desire.
Ah! there is Mr. Allen in the orchard, the beautiful orchard, with its glorious gardens of pink and white, its pearly pear-blossoms and coral apple-buds. What a flush of bloom it is! How brightly delicate it appears, thrown into strong relief by the dark house and the weather-stained barn, in this soft evening light! The very grass is strewed with the snowy petals of the pear and the cherry. And there sits Mrs. Allen, feeding her poultry, with her three little grand-daughters from London, pretty fairies from three years old to five (only two-and-twenty months elapsed between the birth of the eldest and the youngest) playing round her feet.
Mrs. Allen, my dear Mrs. Allen, has been that rare thing a beauty, and although she be now an old woman I had almost said that she is so still. Why should I not say so? Nobleness of feature and sweetness of expression are surely as delightful in age as in youth. Her face and figure are much like those which are stamped indelibly on the memory of every one who ever saw that grand specimen of woman--Mrs. Siddons. The outline of Mrs. Allen's face is exactly the same; but there is more softness, more gentleness, a more feminine composure in the eye and in the smile. Mrs. Allen never played Lady Macbeth. Her hair, almost as black as at twenty, is parted on her large fair forehead, and combed under her exquisitely neat and snowy cap; a muslin neckerchief, a grey stuff gown and a white apron complete the picture.
There she sits under an old elder-tree which flings its branches over her like a canopy, whilst the setting sun illumines her venerable figure and touches the leaves with an emerald light; there she sits, placid and smiling, with her spectacles in her hand and a measure of barley on her lap, into which the little girls are dipping their chubby hands and scattering the corn amongst the ducks and chickens with unspeakable glee. But those ingrates the poultry don't seem so pleased and thankful as they ought to be; they mistrust their young feeders. All domestic animals dislike children, partly from an instinctive fear of their tricks and their thoughtlessness; partly, I suspect, from jealousy. Jealousy seems a strange tragic passion to attribute to the inmates of the basse cour,--but only look at that strutting fellow of a bantam cock (evidently a favourite), who sidles up to his old mistress with an air half affronted and half tender, turning so scornfully from the barley-corns which Annie is flinging towards him, and say if he be not as jealous as Othello? Nothing can pacify him but Mrs. Allen's notice and a dole from her hand. See, she is
This rustic dwelling belongs to what used to be called in this part of the country 'a little bargain': thirty or forty acres, perhaps, of arable land, which the owner and his sons cultivated themselves, whilst the wife and daughters assisted in the husbandry, and eked out the slender earnings by the produce of the dairy, the poultry yard, and the orchard;--an order of cultivators now passing rapidly away, but in which much of the best part of the English character, its industry, its frugality, its sound sense, and its kindness might be found. Farmer Allen himself is an excellent specimen, the cheerful venerable old man with his long white hair, and his bright grey eye, and his wife is a still finer. They have had a hard struggle to win through the world and keep their little property undivided; but good management and good principles, and the assistance afforded them by an admirable son, who left our village a poor 'prentice boy, and is now a partner in a great house in London have enabled them to overcome all the difficulties of these trying times, and they are now enjoying the peaceful evenings of a well-spent life as free from care and anxiety as their best friends could desire.
Ah! there is Mr. Allen in the orchard, the beautiful orchard, with its glorious gardens of pink and white, its pearly pear-blossoms and coral apple-buds. What a flush of bloom it is! How brightly delicate it appears, thrown into strong relief by the dark house and the weather-stained barn, in this soft evening light! The very grass is strewed with the snowy petals of the pear and the cherry. And there sits Mrs. Allen, feeding her poultry, with her three little grand-daughters from London, pretty fairies from three years old to five (only two-and-twenty months elapsed between the birth of the eldest and the youngest) playing round her feet.
Mrs. Allen, my dear Mrs. Allen, has been that rare thing a beauty, and although she be now an old woman I had almost said that she is so still. Why should I not say so? Nobleness of feature and sweetness of expression are surely as delightful in age as in youth. Her face and figure are much like those which are stamped indelibly on the memory of every one who ever saw that grand specimen of woman--Mrs. Siddons. The outline of Mrs. Allen's face is exactly the same; but there is more softness, more gentleness, a more feminine composure in the eye and in the smile. Mrs. Allen never played Lady Macbeth. Her hair, almost as black as at twenty, is parted on her large fair forehead, and combed under her exquisitely neat and snowy cap; a muslin neckerchief, a grey stuff gown and a white apron complete the picture.
There she sits under an old elder-tree which flings its branches over her like a canopy, whilst the setting sun illumines her venerable figure and touches the leaves with an emerald light; there she sits, placid and smiling, with her spectacles in her hand and a measure of barley on her lap, into which the little girls are dipping their chubby hands and scattering the corn amongst the ducks and chickens with unspeakable glee. But those ingrates the poultry don't seem so pleased and thankful as they ought to be; they mistrust their young feeders. All domestic animals dislike children, partly from an instinctive fear of their tricks and their thoughtlessness; partly, I suspect, from jealousy. Jealousy seems a strange tragic passion to attribute to the inmates of the basse cour,--but only look at that strutting fellow of a bantam cock (evidently a favourite), who sidles up to his old mistress with an air half affronted and half tender, turning so scornfully from the barley-corns which Annie is flinging towards him, and say if he be not as jealous as Othello? Nothing can pacify him but Mrs. Allen's notice and a dole from her hand. See, she is