Our Village [44]
of a gorgeous butterfly, all brown and red and purple, and, skipping off to pursue the new object, let go her hold; so all our treasures were abroad again. At last, however, by dint of taking a branch of alder as a substitute for Lizzy, and hanging the basket in a pollard-ash, out of sight of May, the cowslip-ball was finished. What a concentration of fragrance and beauty it was! golden and sweet to satiety! rich to sight, and touch, and smell! Lizzy was enchanted, and ran off with her prize, hiding amongst the trees in the very coyness of ecstasy, as if any human eye, even mine, would be a restraint on her innocent raptures.
In the meanwhile I sat listening, not to my enemy the cuckoo, but to a whole concert of nightingales, scarcely interrupted by any meaner bird, answering and vying with each other in those short delicious strains which are to the ear as roses to the eye: those snatches of lovely sound which come across us as airs from heaven. Pleasant thoughts, delightful associations, awoke as I listened; and almost unconsciously I repeated to myself the beautiful story of the Lutist and the Nightingale, from Ford's 'Lover's Melancholy.' Here it is. Is there in English poetry anything finer?
'Passing from Italy to Greece, the tales Which poets of an elder time have feign'd To glorify their Tempe, bred in me Desire of visiting Paradise. To Thessaly I came, and living private, Without acquaintance of more sweet companions Than the old inmates to my love, my thoughts, I day by day frequented silent groves And solitary walks. One morning early This accident encounter'd me: I heard The sweetest and most ravishing contention That art and nature ever were at strife in. A sound of music touch'd mine ears, or rather Indeed entranced my soul; as I stole nearer, Invited by the melody, I saw This youth, this fair-faced youth, upon his lute With strains of strange variety and harmony Proclaiming, as it seem'd, so bold a challenge To the clear choristers of the woods, the birds, That as they flock'd about him, all stood silent, Wondering at what they heard. I wonder'd too. A nightingale, Nature's best skill'd musician, undertakes The challenge; and for every several strain The well-shaped youth could touch, she sang him down. He could not run divisions with more art Upon his quaking instrument than she, The nightingale, did with her various notes Reply to.
Some time thus spent, the young man grew at last Into a pretty anger, that a bird, Whom art had never taught cliffs, moods, or notes Should vie with him for mastery, whose study Had busied many hours to perfect practice. To end the controversy, in a rapture Upon his instrument he plays so swiftly, So many voluntaries, and so quick, That there was curiosity and cunning, Concord in discord, lines of differing method Meeting in one full centre of delight. The bird (ordain'd to be Music's first martyr) strove to imitate These several sounds; which when her warbling throat Fail'd in, for grief down dropt she on his lute, And brake her heart. It was the quaintest sadness To see the conqueror upon her hearse To weep a funeral elegy of tears. He look'd upon the trophies of his art, Then sigh'd, then wiped his eyes; then sigh'd, and cry'd "Alas! poor creature, I will soon revenge This cruelty upon the author of it. Henceforth this lute, guilty of innocent blood, Shall never more betray a harmless peace To an untimely end:" and in that sorrow, As he was pashing it against a tree, I suddenly stept in.'
When I had finished the recitation of this exquisite passage, the sky, which had been all the afternoon dull and heavy, began to look more and more threatening; darker clouds, like wreaths of black smoke, flew across the dead leaden tint; a cooler, damper air blew over the meadows, and a few large
In the meanwhile I sat listening, not to my enemy the cuckoo, but to a whole concert of nightingales, scarcely interrupted by any meaner bird, answering and vying with each other in those short delicious strains which are to the ear as roses to the eye: those snatches of lovely sound which come across us as airs from heaven. Pleasant thoughts, delightful associations, awoke as I listened; and almost unconsciously I repeated to myself the beautiful story of the Lutist and the Nightingale, from Ford's 'Lover's Melancholy.' Here it is. Is there in English poetry anything finer?
'Passing from Italy to Greece, the tales Which poets of an elder time have feign'd To glorify their Tempe, bred in me Desire of visiting Paradise. To Thessaly I came, and living private, Without acquaintance of more sweet companions Than the old inmates to my love, my thoughts, I day by day frequented silent groves And solitary walks. One morning early This accident encounter'd me: I heard The sweetest and most ravishing contention That art and nature ever were at strife in. A sound of music touch'd mine ears, or rather Indeed entranced my soul; as I stole nearer, Invited by the melody, I saw This youth, this fair-faced youth, upon his lute With strains of strange variety and harmony Proclaiming, as it seem'd, so bold a challenge To the clear choristers of the woods, the birds, That as they flock'd about him, all stood silent, Wondering at what they heard. I wonder'd too. A nightingale, Nature's best skill'd musician, undertakes The challenge; and for every several strain The well-shaped youth could touch, she sang him down. He could not run divisions with more art Upon his quaking instrument than she, The nightingale, did with her various notes Reply to.
Some time thus spent, the young man grew at last Into a pretty anger, that a bird, Whom art had never taught cliffs, moods, or notes Should vie with him for mastery, whose study Had busied many hours to perfect practice. To end the controversy, in a rapture Upon his instrument he plays so swiftly, So many voluntaries, and so quick, That there was curiosity and cunning, Concord in discord, lines of differing method Meeting in one full centre of delight. The bird (ordain'd to be Music's first martyr) strove to imitate These several sounds; which when her warbling throat Fail'd in, for grief down dropt she on his lute, And brake her heart. It was the quaintest sadness To see the conqueror upon her hearse To weep a funeral elegy of tears. He look'd upon the trophies of his art, Then sigh'd, then wiped his eyes; then sigh'd, and cry'd "Alas! poor creature, I will soon revenge This cruelty upon the author of it. Henceforth this lute, guilty of innocent blood, Shall never more betray a harmless peace To an untimely end:" and in that sorrow, As he was pashing it against a tree, I suddenly stept in.'
When I had finished the recitation of this exquisite passage, the sky, which had been all the afternoon dull and heavy, began to look more and more threatening; darker clouds, like wreaths of black smoke, flew across the dead leaden tint; a cooler, damper air blew over the meadows, and a few large