Our Village [63]
old oaks, towering as if to meet the clouds. There is something very intelligent in the ways of that black people the rooks, particularly in their wonder. I suppose it results from their numbers and their unity of purpose, a sort of collective and corporate wisdom. Yet geese congregate also; and geese never by any chance look wise. But then geese are a domestic fowl; we have spoiled them; and rooks are free commoners of nature, who use the habitations we provide for them, tenant our groves and our avenues, but never dream of becoming our subjects.
What a labyrinth of a road this is! I do think there are four turnings in the short half-mile between the avenue and the mill. And what a pity, as my companion observes--not that our good and jolly miller, the very representative of the old English yeomanry, should be so rich, but that one consequence of his riches should be the pulling down of the prettiest old mill that ever looked at itself in the Loddon, with the picturesque, low-browed, irregular cottage, which stood with its light-pointed roof, its clustered chimneys, and its ever-open door, looking like the real abode of comfort and hospitality, to build this huge, staring, frightful, red-brick mill, as ugly as a manufactory, and this great square house, ugly and red to match, just behind. The old buildings always used to remind me of Wollett's beautiful engraving of a scene in the Maid of the Mill. It will be long before any artist will make a drawing of this. Only think of this redness in a picture! this boiled lobster of a house! Falstaff's description of Bardolph's nose would look pale in the comparison.
Here is that monstrous machine of a tilted waggon, with its load of flour, and its four fat horses. I wonder whether our horse will have the decency to get out of the way. If he does not, I am sure we cannot make him; and that enormous ship upon wheels, that ark on dry land, would roll over us like the car of Juggernaut. Really--Oh no! there is no danger now. I should have remembered that it is my friend Samuel Long who drives the mill team. He will take care of us. 'Thank you, Samuel!' And Samuel has put us on our way, steered us safely past his waggon, escorted us over the bridge and now, having seen us through our immediate difficulties, has parted from us with a very civil bow and good-humoured smile, as one who is always civil and good-humoured, but with a certain triumphant masterful look in his eyes, which I have noted in men, even the best of them, when a woman gets into straits by attempting manly employments. He has done us great good though, and may be allowed his little feeling of superiority. The parting salute he bestowed on our steed, in the shape of an astounding crack of his huge whip, has put that refractory animal on his mettle. On we go! past the glazier's pretty house, with its porch and its filbert walk; along the narrow lane bordered with elms, whose fallen leaves have made the road one yellow; past that little farmhouse with the horse-chestnut trees before, glowing like oranges; past the whitewashed school on the other side, gay with October roses; past the park, and the lodge, and the mansion, where once dwelt the great Earl of Clarendon;--and now the rascal has begun to discover that Samuel Long and his whip are a mile off, and that his mistress is driving him, and he slackens his pace accordingly. Perhaps he feels the beauty of the road just here, and goes slowly to enjoy it. Very beautiful it certainly is. The park paling forms the boundary on one side, with fine clumps of oak, and deer in all attitudes; the water, tufted with alders, flowing along on the other. Another turn, and the water winds away, succeeded by a low hedge, and a sweep of green meadows; whilst the park and its palings are replaced by a steep bank, on which stands a small, quiet, village alehouse; and higher up, embosomed in wood, is the little country church, with its sloping churchyard and its low white steeple, peeping out from amongst magnificent yew-trees:--
'Huge trunks! and each
What a labyrinth of a road this is! I do think there are four turnings in the short half-mile between the avenue and the mill. And what a pity, as my companion observes--not that our good and jolly miller, the very representative of the old English yeomanry, should be so rich, but that one consequence of his riches should be the pulling down of the prettiest old mill that ever looked at itself in the Loddon, with the picturesque, low-browed, irregular cottage, which stood with its light-pointed roof, its clustered chimneys, and its ever-open door, looking like the real abode of comfort and hospitality, to build this huge, staring, frightful, red-brick mill, as ugly as a manufactory, and this great square house, ugly and red to match, just behind. The old buildings always used to remind me of Wollett's beautiful engraving of a scene in the Maid of the Mill. It will be long before any artist will make a drawing of this. Only think of this redness in a picture! this boiled lobster of a house! Falstaff's description of Bardolph's nose would look pale in the comparison.
Here is that monstrous machine of a tilted waggon, with its load of flour, and its four fat horses. I wonder whether our horse will have the decency to get out of the way. If he does not, I am sure we cannot make him; and that enormous ship upon wheels, that ark on dry land, would roll over us like the car of Juggernaut. Really--Oh no! there is no danger now. I should have remembered that it is my friend Samuel Long who drives the mill team. He will take care of us. 'Thank you, Samuel!' And Samuel has put us on our way, steered us safely past his waggon, escorted us over the bridge and now, having seen us through our immediate difficulties, has parted from us with a very civil bow and good-humoured smile, as one who is always civil and good-humoured, but with a certain triumphant masterful look in his eyes, which I have noted in men, even the best of them, when a woman gets into straits by attempting manly employments. He has done us great good though, and may be allowed his little feeling of superiority. The parting salute he bestowed on our steed, in the shape of an astounding crack of his huge whip, has put that refractory animal on his mettle. On we go! past the glazier's pretty house, with its porch and its filbert walk; along the narrow lane bordered with elms, whose fallen leaves have made the road one yellow; past that little farmhouse with the horse-chestnut trees before, glowing like oranges; past the whitewashed school on the other side, gay with October roses; past the park, and the lodge, and the mansion, where once dwelt the great Earl of Clarendon;--and now the rascal has begun to discover that Samuel Long and his whip are a mile off, and that his mistress is driving him, and he slackens his pace accordingly. Perhaps he feels the beauty of the road just here, and goes slowly to enjoy it. Very beautiful it certainly is. The park paling forms the boundary on one side, with fine clumps of oak, and deer in all attitudes; the water, tufted with alders, flowing along on the other. Another turn, and the water winds away, succeeded by a low hedge, and a sweep of green meadows; whilst the park and its palings are replaced by a steep bank, on which stands a small, quiet, village alehouse; and higher up, embosomed in wood, is the little country church, with its sloping churchyard and its low white steeple, peeping out from amongst magnificent yew-trees:--
'Huge trunks! and each