Outlander - Diana Gabaldon [411]
The thought of mussels reminded me of the steamed mussels with butter I had had for dinner the night before, and I was suddenly starving. The absurd contrasts of pregnancy seemed to keep me always conscious of my digestion; if I wasn’t vomiting, I was ravenously hungry. The thought of food led me to the thought of menus, which led back to a contemplation of the entertaining Jared had mentioned. Dinner parties, hm? It seemed an odd way to begin the job of saving Scotland, but then, I couldn’t really think of anything better.
At least if I had Charles Stuart across a dinner table from me, I could keep an eye on him, I thought, smiling to myself at the joke. If he showed signs of hopping a ship for Scotland, maybe I could slip something into his soup.
Perhaps that wasn’t so funny, after all. The thought reminded me of Geillis Duncan, and my smile faded. Wife of the procurator fiscal in Cranesmuir, she had murdered her husband by dropping powdered cyanide into his food at a banquet. Accused as a witch soon afterward, she had been arrested while I was with her, and I had been taken to trial myself; a trial from which Jamie had rescued me. The memories of several days spent in the cold dark of the thieves’ hole at Cranesmuir were all too fresh, and the wind seemed suddenly very cold.
I shivered, but not altogether from chill. I could not think of Geillis Duncan without that cold finger down my spine. Not so much because of what she had done, but because of who she had been. A Jacobite, too; one whose support of the Stuart cause had been more than slightly tinged with madness. Worse than that, she was what I was—a traveler through the standing stones.
I didn’t know whether she had come to the past as I had, by accident, or whether her journey had been deliberate. Neither did I know precisely where she had come from. But my last vision of her, screaming defiance at the judges who would condemn her to burn, was of a tall, fair woman, arms stretched high, showing on one arm the telltale round of a vaccination scar. I felt automatically for the small patch of roughened skin on my own upper arm, beneath the comforting folds of my cloak, and shuddered when I found it.
AN INTERVIEW WITH DIANA GABALDON
Q: Where did you get the idea for a time travel novel?
A: I had meant Outlander to be a straight historical novel, but when I introduced Claire Beauchamp Randall (around the third day of writing—it was the scene where she meets Dougal and the others in the cottage), she wouldn’t cooperate. Dougal asked her who she was, and without my stopping to think who she should be, she drew herself up, stared belligerently at him, and said “Claire Elizabeth Beauchamp. And who the hell are you?” She promptly took over the story and began telling it herself, making smart-ass modern remarks about everything.
At this point I shrugged and said, “Fine. Nobody’s ever going to see this book, so it doesn’t matter what bizarre thing I do—go ahead and be modern, and I’ll figure out how you got there later.” So the time travel was entirely Claire’s fault.
Q: Why did you choose Scotland during the Jacobite period as the setting for your books?
A: Well, like almost everything else about these books, it was an accident. I was looking for a time in which to set a historical novel, because I thought that would be the easiest kind of book to write for practice. While pondering, I happened to see a rerun of an ancient Doctor Who episode on PBS—one in which the Doctor had a young Scottish sidekick, picked up in 1745. The sidekick was a cute little guy, about seventeen, named Jamie MacCrimmon, and he looked rather nice in his kilt.
I was sitting in church the next day thinking about it, and thought, Well, you’ve got to start somewhere, and it doesn’t really matter where, since no one’s ever going to see this—so why not? Scotland, eighteenth century. And that is where I started—no outline, no characters, no plot—just a place and time.
Q: Have you ever been to Scotland?
A: I had never been there when I wrote Outlander, and