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Outlander - Diana Gabaldon [79]

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as a representation of a skeletal forearm and hand; the High Street was the radius, along which lay the shops and businesses and the residences of the more well-to-do. St. Margaret’s Lane was the ulna, a narrower street running parallel with the High, tenanted by smithy, tannery, and the less genteel artisans and businesses. The village square (which, like all village squares I had ever seen, was not square at all, but roughly oblong) formed the carpals and metacarpals of the hand, while the several lanes of cottages made up the phalangeal joints of the fingers.

The Duncans’ house stood on the square, as behooved the residence of the procurator fiscal. This was a matter of convenience as well as status; the square could be used for those judicial matters which, by reason of public interest or legal necessity, overflowed the narrow confines of Arthur Duncan’s study. And it was, as Dougal explained, convenient to the pillory, a homely wooden contraption that stood on a small stone plinth in the center of the square, adjacent to the wooden stake used—with thrifty economy of purpose—as whipping post, maypole, flagstaff and horse tether, depending upon requirements.

The noise outside was now much louder, and altogether more disorderly than seemed appropriate to people coming soberly home from church to their dinners. Geilie put aside the jars with an exclamation of impatience and threw open the window to see what caused the uproar.

Joining her at the window, I could see a crowd of folk dressed in church-going garb of gown, kirtle, coat, and bonnet, led by the stocky figure of Father Bain, the priest who served both village and castle. He had in his custody a youth, perhaps twelve years old, whose ragged trews and smelly shirt proclaimed him a tanner’s lad. The priest had the boy gripped by the nape of the neck, a hold made somewhat difficult to maintain by the fact that the lad was slightly taller than his minatory captor. The crowd followed the pair at a small distance, rumbling with disapproving comment like a passing thunder cloud in the wake of a lightning bolt.

As we watched from the upper window, Father Bain and the boy disappeared beneath us, into the house. The crowd remained outside, muttering and jostling. A few of the bolder souls chinned themselves on the window ledges, attempting to peer within.

Geilie shut the window with a slam, making a break in the anticipatory rumble below.

“Stealing, most like,” she said laconically, returning to the herb table. “Usually is, wi’ the tanners’ lads.”

“What will happen to him?” I asked curiously. She shrugged, crumbling dried rosemary between her fingers into the mortar.

“Depends on whether Arthur’s dyspeptic this morning, I should reckon. If he’s made a good breakfast, the lad might get off with a whipping. But happen he’s costive or flatulent”—she made a moue of distaste—“the boy’ll lose an ear or a hand, most like.”

I was horrified, but hesitant to interfere directly in the matter. I was an outlander, and an Englishwoman to boot, and while I thought I would be treated with some respect as an inhabitant of the castle, I had seen many of the villagers surreptitiously make the sign against evil as I passed. My intercession might easily make things worse for the boy.

“Can’t you do anything?” I asked Geilie. “Speak to your husband, I mean; ask him to be, er, lenient?”

Geilie looked up from her work, surprised. Clearly the thought of interfering in her husband’s affairs had never crossed her mind.

“Why should you care what happens to him?” she asked, but curiously, not with any hostile meaning.

“Of course I care!” I said. “He’s only a lad; whatever he did, he doesn’t deserve to be mutilated for life!”

She raised pale brows; plainly this argument was unconvincing. Still, she shrugged and handed me the mortar and pestle.

“Anything to oblige a friend,” she said, rolling her eyes. She scanned her shelves and selected a bottle of greenish stuff, labeled, in fine cursive script, EXTRACT OF PEPPERMINT.

“I’ll go and dose Arthur, and whilst I’m about it, I’ll see if aught

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