Outlander - Diana Gabaldon [87]
“No,” I answered, startled. “What is it?”
He flipped the badge once in the air, caught it, and dropped it neatly into his sporran. He looked rather bleakly toward the open archway, where the MacKenzie clansmen were massing in untidy lines.
“Je suis prest,” he replied, in surprisingly good French. He glanced back, to see Rupert and another large MacKenzie I didn’t know, faces flushed with high spirits and spirits of another kind, advancing with solid purpose. Rupert held a huge length of MacKenzie tartan cloth.
Without preliminaries, the other man reached for the buckle of Jamie’s kilt.
“Best leave, Sassenach,” Jamie advised briefly. “It’s no place for women.”
“So I see,” I responded dryly, and was rewarded with a wry smile as his hips were swathed in the new kilt, and the old one yanked deftly away beneath it, modesty preserved. Rupert and friend took him firmly by the arms and hustled him toward the archway.
I turned without delay and made my way back toward the stair to the minstrels’ gallery, carefully avoiding the eye of any clansman I passed. Once around the corner, I paused, shrinking back against the wall to avoid notice. I waited for a moment, until the corridor was temporarily deserted, then nipped inside the gallery door and pulled it quickly to behind me, before anyone else could come around the corner and see where I had gone. The stairs were dimly lit by the glow from above, and I had no trouble keeping my footing on the worn flags. I climbed toward the noise and light, thinking of that last brief exchange.
“Je suis prest.” I am ready. I hoped he was.
* * *
The gallery was lit by pine torches, brilliant flares that rose straight up in their sockets, outlined in black by the soot their predecessors had left on the walls. Several faces turned, blinking, to look at me as I came out of the hangings at the back of the gallery; from the looks of it, all the women of the castle were up here. I recognized the girl Laoghaire, Magdalen and some of the other women I had met in the kitchens, and, of course, the stout form of Mrs. FitzGibbons, in a position of honor near the balustrade.
Seeing me, she beckoned in a friendly manner, and the women squeezed against each other to let me pass. When I reached the front, I could see the whole Hall spread out beneath.
The walls were decked with myrtle branches, yew and holly, and the fragrance of the evergreens rose up into the gallery, mingled with the smoke of fires and the harsh reek of men. There were dozens of them, coming, going, standing talking in small groups scattered throughout the hall, and all clad in some version of the clan tartan, be it only a plaid or a tartan bonnet worn above ordinary working shirt and tattered breeches. The actual patterns varied wildly, but the colors were mostly the same—dark greens and white.
Most of them were completely dressed as Jamie now was, kilt, plaid, bonnet, and—in most cases—badges. I caught a glimpse of him standing near the wall, still looking grim. Rupert had disappeared into the throng, but two more burly MacKenzies flanked Jamie, obviously guards.
The confusion in the hall was gradually becoming organized, as the castle residents pushed and led the newcomers into place at the lower end.
Tonight was plainly special; the young lad who played the pipes at Hall had been augmented by two other pipers, one a man whose bearing and ivory-mounted pipes proclaimed him a master piper. This man nodded to the other two, and soon the hall was filled with the fierce drone of pipe music. Much smaller than the great Northern pipes used in battle, these versions made a most effective racket.
The chanters laid a trill above the drones that made the blood itch. The women stirred around me, and I thought of a line from “Maggie Lauder”:
“Oh, they call me Rab the Ranter,
and the lassies all go daft,
When I blow up my chanter.”
If not daft, the women around me were fully appreciative, and there were many murmurs of admiration as they hung over the rail, pointing out one man or another, striding about the Hall decked