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Pakistan_ A Hard Country - Anatol Lieven [134]

By Root 1405 0
pattern, was forced to resign when it seemed that he might become a rival. Since then, he has headed his own small and moderately Sindhi nationalist political party, and was only briefly Chief Minister again in the caretaker government of 1996 – 7.

Yet his lands and wealth, his name, his status, his personal prestige and the faint possibility – even at the age of seventy-six – that he might once again hold senior office mean that he is still a force to be taken into account by other local politicians. Also of importance is the fact that he has an able and energetic eldest son, so that it is clear that the dynasty is not going to fade, and that by helping him people are stockpiling potential reciprocal benefits for the future.

Small though his party is, my travels with him had something of the air of a minor triumphal procession, with delegations coming to meet his convoy in towns and villages, throwing rose petals over his landcruiser, chanting his slogans and bowing to kiss his hand, and children running out for the free tamasha (show). For a while we were accompanied by an escort of young men on motorbikes and scooters waving the party flag. This took me back to the great motorized cavalcades of past election campaigns in Pakistan that I had covered; and, looking even further back, one could almost glimpse through the clouds of dust turbaned and helmeted riders on horseback, with pennants waving from their lances.

A rather macabre, but absolutely typical aspect of our progress to the Sardar’s ancestral estate was that it was repeatedly interrupted by condolences. Three times we called on local landowning and political families whose patriarchs had just died. In Europe, for an uninvited guest like me to intrude on private grief in this way would seem grossly insensitive, but these events are anything but private. They are in fact a central part not just of social life but also of political life, an occasion to demonstrate political loyalty or at least connections, to see and be seen. Not, however, to talk. It took me a long time during my first stay in Pakistan to get used to gatherings of men sitting in dead silence, broken only by the occasional murmurs of the eldest son and the chief guest. The movement of jaws is not for speech, but for food – and such food! As Mumtaz Ali Bhutto told me:

If you want to keep well fed in the countryside here, just keep going to condole with people; and if you are a politician you have no choice anyway. This is supposed to be a purely private journey not a political one, but you see how it is. If this were an election campaign, we’d have been offered twelve meals a day. The trick is to nibble just a little bit everywhere.

Meanwhile, I studied the decor of the houses we visited, an amazing mixture of exquisite old-style local taste, appalling Western taste and what might best be described as contemporary Bollywood Neo-Moghul stage-set taste. With summer fast approaching, all the curtains were drawn against the heat and glare outside, so that the rooms were lit only by glaring strip-lights. Throughout Pakistan, this gives most homes – even some of the most luxurious ones – the curious impression of third-class cabins in the bowels of a cruise ship.

Some of the decor was not conducive to maintaining gravity. One of my favourite items was an enormous toy tiger sitting on a table in the middle of a drawing-room where we had gathered to condole. Its eyes looked directly into mine – glassily, but not much more so than those of the other guests, who also gave a strong impression of having been stuffed. As the respectful silence wore on and on, I was seized by an almost irresistible desire to offer the creature some kebab and try to strike up a conversation.

Even more impressive was the bedroom of the eldest son and political heir of another mournful house, where the guests of honour were ushered to use his toilet. The room contained only two furnishings: an enormous neo-rococo bed decorated with huge bunches of flowers, fruit and ostrich feathers, all painted in imitation gold leaf; and,

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