Paragon Walk - Anne Perry [1]
Outside Pitt gulped at the summer air. The trees were in full leaf and already at eight o’clock it was warm. A hansom cab clopped by at the end of the road, and an errand boy whistled about his business.
“We’ll walk,” Pitt said, striding out, coat flapping, hat jammed on the top of his head. Forbes was obliged to trot to keep up with him, and long before they were at Paragon Walk the constable was distressingly out of breath and wishing fervently his duty had landed him with anybody but Pitt.
Paragon Walk was a Regency road of great elegance, facing an open park with flowerbeds and ornamental trees. It curved gently for about a thousand yards. This morning it looked white and silent in the sunlight, and there was not even a footman or a gardener’s boy to be seen. Word of the tragedy would have spread, of course; there would be huddles in kitchens and pantries and embarrassed platitudes over the breakfast tables upstairs.
“Fanny Nash,” Forbes said, catching his breath for the first time as Pitt stopped.
“Pardon?”
“Fanny Nash, sir,” Forbes repeated. “That was ’er name.”
“Oh, yes.” The sense of loss returned for a moment. This time yesterday she would have been alive, behind one of those classic windows, probably deciding what to wear, telling her maid what to lay out for her, planning her day, whom to call on, what gossip to tell, what secrets to keep. It was the beginning of the London Season. What dreams had crowded through her mind such a little while ago?
“Number Four,” Forbes prompted at his elbow.
Inwardly Pitt cursed Forbes for his practicality, though he knew that was unfair. This was a foreign world to Forbes, stranger than the back streets of Paris or Bordeaux would have been. He was used to women in plain, stuff dresses who worked from waking to sleeping, large families living in a few, overfurnished rooms with the smell of cooking everywhere and the intimate usage of faults and pleasures. He could not think of these people as the same, under their silks, and their rigid, stylized manners. Without the discipline of work, they had invented the discipline of etiquette, and it had become just as ruthless a master. But Forbes could not be expected to understand that.
As a policeman, Pitt knew it was customary for him to present himself at the tradesman’s entrance, but he would not now begin something he had refused all his life.
The footman who came to the front door was grim and stiff-faced. He stared at Pitt with unaffected dislike, although the superciliousness of the look was somewhat spoiled by the fact that Pitt was several inches taller.
“Inspector Pitt, of the police,” Pitt said soberly. “May I speak with Mr. and Mrs. Nash?” He assumed assent and was about to go in, but the footman stood his ground.
“Mr. Nash is not at home. I will see if Mrs. Nash will receive you,” he said with distaste, then backed half a step. “You may wait in the hall.”
Pitt looked around him. The house was larger than it had appeared from outside. He could see a wide stairway with landings leading from it on either side, and there were half a dozen doors in the hall. He had learned something of art from working on the recovery of stolen goods, and he judged the pictures on the walls to be of considerable value, if too stylized for his own taste. He preferred the modern, more impressionistic school, with blurred lines, sky and water merging in a haze of light. But there was one portrait, after the manner of Burne-Jones, that caught his attention, not for its artist, but for its subject, a woman of exceptional beauty—proud, sensuous and dazzling.
“Cor!” Forbes let out his breath in amazement, and Pitt realized he had not been inside a house such as this before, except perhaps in the servants’ hall. He was afraid Forbes’s gaucheness would embarrass them both, and perhaps even handicap his questioning.
“Forbes, why don’t you go and see what you can learn from the servants?” he suggested. “Perhaps a footman or a maid was out? People don’t realize how much they notice.”
Forbes was torn. Part of him wanted