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Paris 1919 - Margaret Macmillan [25]

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bright young men, he was drawn to Paris and the world of radical intellectuals, journalists and artists. In the late 1860s he spent much time in the United States, widely admired by republicans as a land of freedom. His travels left him with fluent English, peppered with out-of-date New York slang, in an accent that mingled a Yankee drawl with rolling French “r”s. He also gained a wife, Mary Plummer, a lovely, stupid and very conventional New England girl whom he had met while he was teaching French in a girls’ school. He brought her back to France and deposited her for long periods of time with his parents and unmarried aunts in the Vendée. The marriage did not last but Mary Plummer lived on in Paris, supplementing her modest annuity by taking American tourists to museums. She rarely saw Clemenceau after their separation but she faithfully collected his press cuttings. Unfortunately, she could not read them because she had never learned French. After her death in 1917 Clemenceau expressed mild regret: “What a tragedy that she ever married me.”10

The Clemenceau family kept the three children from the marriage, and Clemenceau never married again. He preferred to travel through life alone. There were women, of course, as friends and as lovers. “Never in my life,” he said, “has it been necessary for me to make appeals to women.” And on the whole it was true. In 1919 he complained sardonically that, just when he was too old to take advantage of it, women were throwing themselves at him.11

Politics and, above all, France were his great passion. With the collapse of Napoleon III’s empire in 1870 and the rise of the Third Republic, the way was open to him and other radical politicians to participate in public life. Clemenceau was elected to the French parliament in 1876. He was a republican like most of those who dominated the Third Republic but he did not belong to a political party in the modern sense (indeed such things did not exist then). In the loose and shifting groupings before the Great War, he was invariably found on the left, just this side of the socialists and those who rejected constitutional, democratic politics. Clemenceau made a name for himself as an incisive and witty orator and a tenacious opponent, happiest when he was attacking governments he saw as too conservative. With his old friend Emile Zola, for example, he helped to reopen the guilty verdict against Alfred Dreyfus, the Jewish army officer falsely accused of selling French secrets to the Germans.12 But he was not trusted even on the left; there were too many dubious financiers in his life, women with shady reputations, creditors asking for their money. His duels left an impression of someone who belonged in the pages of Dumas. In his relentless attacks on authority he was prepared to do almost anything to win. “He comes from a family of wolves,” said a man who knew him well. Clemenceau did not help himself by his contempt for convention and his profound cynicism. Lloyd George once said of him, “He loved France but hated all Frenchmen.” In 1906, when he was already in his sixties, he became a government minister. He was brought in as minister of the interior perhaps because France’s president at the time owed him a political debt, more likely because, as one of his new colleagues argued, it would be too dangerous to leave him out. Later that year when what was a weak government fell, Clemenceau to the surprise of many emerged as the new prime minister and an effective one at that.

His intimates saw another side. Clemenceau was loyal to his friends and they to him. He was kind and generous with both time and money. He loved his garden, although, according to one visitor, “it was a helterskelter survival of mixed-up seeds hurled about recklessly in all directions.” For years Clemenceau had a country place close to Giverny and Claude Monet, a great friend. In Paris he frequently dropped in to see the great panels of the water lilies. “They take my breath away whenever I enter that room.” (He could not bear Renoir’s painting: “It’s enough to disgust you

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