Paris Noir - Aurelien Masson [100]
“Yes,” she said.
“You’re still acting in shitty films?”
“I write books,” she said. “I’m the new Virginia Woolf.”
I shouldn’t have been there in the Closerie des Lilas, a stone’s throw from Cochin and the Observatory. Famous writers had come to this brasserie, then their ghosts, finally plaques on the tables in memoriam and finally fat men smoking cigars and skeleton women coughing away.
The last time I saw the woman facing me was twenty years ago and the shitty film was a time in my life, not a masterpiece they show in the cinematheque. I should go back home along rue de la Santé with my eyes closed and lock myself up at my place. Last time, I’d managed to make her laugh with Parisian gossip, that red-haired slut in leopard tights. Maybe I had intrigued her, maybe not. I gave her a hard-on, what else can I say. I had a furious beast between my legs, a famished tiger. She looked like an elegant scarecrow at the time and now like an epileptic mummy. She was always smoking little foul-smelling cigars and she used to laugh loudly but without gaiety or any reason to laugh, aside from me. She drank large quantities of beer. Ten or twenty years ago—the last time—she was already a former dancer, or a former model, and a former American too. She already had an impressive length of service in a whole bunch of fields. She didn’t speak French very well and wasn’t listening to what I was saying. She didn’t want to listen to just anything. She was in a rush to live and now in even more of a rush, in a state of emergency really, except with me. It was as if for ten or twenty years she’d been recharging her battery and I’d emptied mine. I had absolutely no desire to be sitting across the table from her. If I could have chosen a female companion I would rather have chosen a dead woman, or one with Alzheimer’s, a mischievous little madwoman, inoffensive, hesitant, stammering, out of it, with gestures and signs of affection from another era. I was not unhappy to have left my cock in the cloakroom. I had nothing under the table that could have given me a hard time; under the table there were only cigarette butts that nobody would have thought of lighting.
I had set foot in a place I shouldn’t have, onto the other side of the boulevard. In the space of a hundred yards I’d gone through the 5th and 6th arrondissements, whereas that night I had dreamed that I belonged to the middle middle class, you know, the one people say is neither more nor less. So in that dream I was walking my dog, a ghost dog, without hurrying, and the dog starts pulling on his leash, he crosses through Sainte-Anne from rue d’Alésia to the elevated subway, then he scratches at the little metal door of the prison and he goes sniffing out sickness in the crowded ER of Cochin, as if he’s looking for something or someone. Not at all. He’s just trying to get rid of me among the crazies, the jailbirds, and the dying. He makes me go through the revolving door of the Closerie des Lilas, pulls me up to a lady with bright red hair and leopard tights, then leaves through the same revolving door and makes me wander out onto rue Campagne-Première, a street Godard used in Breathless. He bites the ass of the stone lion on Place Denfert, plunges into the catacombs, and to finish things off, to finish meoff, he raises his leg on me. I wake up all pissy, sticky, sweaty, in a lukewarm smell that makes your stomach heave