Paris Noir - Aurelien Masson [67]
Oh yes, I know what you’re thinking. You’re thinking he waited for her, followed her to the park, and then what happened, happened. But you’re wrong.
She didn’t cross the threshold until I told her to come in, and it was strange, that mix of humility and provocation in her face, like she was defying me to criticize her for anything. I found her taller, maybe it was her high heels, maybe her thinness, she was wearing a jacket I recognized and she floated in it like a little bird. She sat down on the couch and looked at me with a funny smile on her face. I could see immediately she’d taken something, something stronger than a couple of drinks, and that was new too: She looked at me and then seemed to look through me, she had to make an effort for her eyes to focus on my face again. She rubbed her nose with her forefinger and then she said: “So, they left.”
Her voice was like her face, just as tough, like, grated—I know I should say grating, but it was something else, it was like they’d both been dragged over a hard surface and they’d lost all their softness. “Two months ago, yes,” I said. “But your mother left your things, they’re in my room, I can go get them if you like.”
She shrugged indifferently, as if none of it had any importance. She stayed slumped on the couch with that half-smile on her lips and that floating look, twisting a strand of hair around her finger.
“Layla,” I said, “come back. You can stay in the bedroom, you’ll be fine there, I almost always sleep in the living room now. I can help you bring over your things, if you like. We can even go there right now.”
She laughed, a joyless laugh, and I thought of the night before she left, that happy laugh I’d kept inside my ear like a good luck charm while she wasn’t here. “And to do what, huh?” she answered.
I lowered my eyes, I never felt so old, so powerless, so silly too, but I made myself go on. “You can start singing again,” I said. “Samir’s looking for someone to take care of the cash register on weekends, it’d do me good to get out of here a little, and it could help pay for lessons. Maybe that’s all you need to make it work.”
She laughed again, rolling her head against the back of the couch, and then she said: “No, Grandfather, it’s over, my voice is gone, can’t you hear? It’s not there anymore. It’s gone, that’s all there is to it.”
It hurt when she called me Grandfather because there was no tenderness in her voice like when she called me Grandpa, it was more of an impatient tone of voice, kind of scornful, like the kids playing soccer in the little square in front of the park when they think I’m not getting out of the way fast enough. It hurt, and then it made me mad. It was also seeing her like that on the couch, sprawled out like a doll, occasionally scratching her knee or her nose, looking like she was bored, not giving a damn about anything. I went and sat down next to her. “You can’t lose your voice just like that,” I said, even if it’s what I thought when I opened the door—that grated, worn-out voice, almost unrecognizable. “It’s because you haven’t worked on it for a long time. I’ll make you herb tea, lemon and honey, and then those powders Samir sells for colds, you’ll see, it’ll come back.”
But she just closed her eyes and shook her head with an angry expression, and when I held out my hand to push back a strand of hair that was falling over her cheek, she shoved it away impatiently. “No,” she said. “My voice is gone. Don’t you get it? It’s all over. Oh, leave me alone.”
She thought she was strong but she wasn’t as strong as all that; she couldn’t manage to brush away my hand and I left it there, near her cheek, even when she tried to push it away more impatiently, saying, “Stop it.”
I slid my hand down and placed it on her throat. “Your voice isn’t gone,” I said.