Paris Noir - Aurelien Masson [69]
He was looking at Arnaud imploringly, and Arnaud lowered his eyes. “I don’t know,” he said in a low voice, “I couldn’t cross the police barrier. But she was under another plastic thing, a kind of gray tarp. No, I don’t think she was wet.”
The old man shook his head with a pensive expression. He picked up the cap on the table next to his cup and wiped his face with it, then kept it in his hand.
“After that, I came back up here and waited for someone to arrive,” he began again in a weary tone. “I waited for someone to come so I could tell my story. I will follow you to the police station. But the dog … I’d just like you to leave the dog at the grocery store on rue Piat.”
Arnaud capped his pen and shut his notebook. The coffee must have been boiling for hours, it was much too strong; he felt as if it had ripped the skin off his mouth and his heart was beating very fast. He was thinking of all those newspapers he’d skimmed through since the fall, all those sordid crimes, stabbings, shootings, skulls cracked against walls, that search for evil he’d thrown himself into to find an ideal killer, and he remembered the incredibly gentle handshake of the old man. He was looking at them at that very moment, those two hands clenched on his cap, which he was stroking softly, the way you pet an animal. Then Arnaud glanced up again and forced himself to smile.
“I’m not the police, sir,” he said. “I’m not going to put you in jail. Your story …” he went on hastily. “Don’t say anything. Don’t tell anyone anything. Layla did not come to see you. You were sleeping, you didn’t hear her knock, you didn’t open your door.”
But the old man was staring at him as if he didn’t understand. “Don’t say anything,” he repeated. “Why?” He had mechanically put his cap back on, he looked ready to go, to follow the police who’d come knock on his door in a few minutes or a few hours.
“I live outside Paris,” Arnaud suddenly heard himself saying. “I can take you in for a while if you like. We can go there now. No one will know you were here last night. No one will suspect you.”
But under the woolen cap, his face still reddened by tears, the old man was looking at him with incomprehension, almost with mistrust.
“I don’t understand what you’re trying to do,” he said at last. “What you’re telling me there, that’s not my story. I don’t understand what you’re trying to do.” He continued to examine Arnaud’s face as if he was seeing him for the first time, as if he didn’t know how this stranger got into his kitchen, sitting in front of him with the coffeepot between them. He pushed back his chair and got up heavily. “Go away, sir,” he said. “Go away, please.”
Arnaud hesitated, then did as he was told. He stood up, slipped his notebook and pen into his pocket. The old man remained standing behind the table while Arnaud walked over to the door and went out. In the stairway he found the same stench of urine and soup; the door to the apartment across the hall was slightly open, but he was not tempted to take a look inside. He walked quickly down the three flights. Just as he was leaving through the doors of the building, he saw the police coming—three men who seemed to know where they were going—and he turned his face away so their eyes would not meet.
He headed back to the park. Most of the police cars had disappeared; so had most of the onlookers. When he passed through the gates, he saw that the yellow tape was still there but they’d taken the body away. He stopped on the path. He looked for a long time at the lawn, soaked by the downpour. In the grass under a tree, there was an oval in a softer green on the spot where the body had protected it from the rain. Suddenly he felt someone tap him on the shoulder. He turned around and saw